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Articles Tagged with: sea

In The Water

In my previous post, I showcased some of my favorite sun-related shots from my recent trip to the Caribbean. Today’s post will feature some shots in and around the water, mostly with my Pentax Optio W80 compact point-and-shoot camera. I bought this camera a few years ago after realizing that a proper underwater DSL housing costs more than a DSLR. I just wanted to play around, so a point-and-shoot was perfect for the job. Nowadays, waterproof point-and-shoots are relatively inexpensive and every major manufacturer has something to offer. I highly suggest picking one up – they make capturing moments like these a lot simpler.

The shot of my wife Amy at the top was taken at Stingray City at Grand Cayman. This is my favorite shot of the whole trip because it tells a very concise and complete story of the day, which is simply that we rode out to Stingray City on jet skis and kissed some ‘rays. The shot just above was from Cozumel. After a long day of riding up and down the coast on dune buggys, I was able to rinse off some of the dust and sand in the sea. Here’s a shot my wife took of me while we took a break during the buggy adventure:

Here’s a shot of Amy snorkeling off the coast of Grand Cayman:

This last shot was taken with my D90 on the coast of Haiti. While I’m not technically in the water, I was right at the shoreline trying to capture the sea-spray. I must have looked like a maniac shuffling back and forth trying to avoid getting doused every time the water broke. But, I got a few shots from it that I like:

Check back again soon for some more Caribbean coverage.

Caribbean Sunscapes

I made a pact with myself a year ago to start limiting the photos I post and only show my best work. Of all of the theories and practices about being a good photographer, editing yourself is the most difficult for me. Sometimes I like to tell a story and the story becomes a novel. Sometimes I see so many different things that get me excited and I can’t narrow it down. So, here’s the challenge – how can I share all of the wonderful experiences and sights of my recent trip in one post? The answer is simple – multiple posts! Yeah, I’m good like that…

A note about gear – I left my D800 at home on this trip and brought 2 cameras; My trusty D90 and my Pentax Optio W80 waterproof compact. The shots in this post were shot with the D90 and either my Nikkor 55-300mm zoom or my Tokina 11-16mm ultra-wide zoom. The photo at the top was a sunrise over the Caribbean Sea. The 2nd photo is a sunset under a big storm cloud as we left Grand Cayman Island. The one just below is a sunrise over the coast of Cozumel, Mexico.

Here’s a late afternoon split-tone sunburst shot on the coast of Labadee Haiti, followed by a sunset shot of the mountains.

And I leave you with this shot of a sunset using a graduated glass filter. I decided to experiment and flip it upside down, giving me a scarlet red water with a rainbow of color as it leads to a blue sky.

I’ll be posting more very soon – check back this week.

Walking The Shem Creek Bridge

1/30th of a sec | f/2.8 | 17mm | ISO 200

Last night I was driving through Mount Pleasant as I find myself doing on a pretty frequent basis, and the time was right, the location was right, and I was prepared. I approached Shem Creek just as the sun was bidding adieu to the coast of South Carolina and pulled into a parking lot. I slung my camera on my shoulder set to manual mode with a fixed ISO of 200 and started walking up the bridge. As I approached the middle, I quickly brought the camera up to my eye and checked the internal light meter. As I tend to do, I made it set to be ever so slightly under-exposed and started firing away. this is what I caught:

1/80th of a sec | f/5.6 | 55mm | ISO 200

I dug the foreground of the boardwalk, so now I wanted to isolate the mid-ground area a bit more. I took a few steps forward and zoomed in a little to get this:

1/100th of a sec | f/8.0 | 72mm | ISO 200

All the while I keep adjusting my exposure values – specifically the aperture and shutter speed. In the moments just after a sunset, every second that passes dramatically changes the light. Once again I took a few more steps forward and zoomed in a bit tighter to get this:

1/60th of a sec | f/7.1 | 100mm | ISO 200

I checked the back of my camera and knew I had the shot I wanted. Now It was time to explore. I kept walking and came up to a glorious blue building that rents kayaks and has a seafood market in the back. How blue is it?

1/20th of a sec | f/4.5 | 55mm | ISO 200

That’s pretty damn blue. I needed to capture the entrance to the building. When you get that kind of red against that kind of blue, you can’t go wrong.

1/20th of a sec | f/4.8 | 125mm | ISO 200

I really dug the convergence of lines from the wood siding and the angles of the metal roof. The light was really starting to fade, so I switched out to a faster lens and shot this:

1/13th of a sec | f/2.8 | 50mm | ISO 200

I decided to look down off the side of the bridge and lo and behold, there were a couple of pelicans perched a few feet below me. I braced the camera on the railing of the bridge and composed some shots of the big birds.

1/30th of a sec | f/2.8 | 50mm | ISO 200

When shooting in this low amount of light at pretty slow shutter speeds it’s quite difficult to capture these birds sharply. They never cease twitching their beaks and adjusting themselves when you are as close as I was. It’s best to set your shutter to burst mode and let it rip once you have your composition. You can shoot a dozen shots and possibly only get one that’s decently sharp if your lucky! You could always bring out a flash, but you’ll get one chance before you send that bird soaring to the other side of the creek.

1/5th of a sec | f/2.8 | 50mm | ISO 200

I was quickly losing light, I was shooting at speeds that require bracing the camera on something sturdy, and I was getting pretty damn cold (at least for just a sweatshirt – guess I wasn’t as prepared as I thought). I only had a couple of more shots left in me, so I started to get a busy composition of the waterside of the blue seafood/kayak building when one of the birds flew right into the composition and landed in the perfect spot to become the focal point of this shot:

1/5th of a sec | f/2.8 | 50mm | ISO 200

Talk about a lucky break! I started to walk back to my car and fired off the shot at the top of this post. The color in the sky was no longer as magnificent in this location (although as I drove home the colors in the sky were unusually deep – the horizon was almost brown for a few moments). I decided to create a split-tone image which basically worked out as such: I first converted the shot into a black and white image, and then I gave the highlights an orange tone and the shadows a blue tone. The result is what you see above. It can add a little more mood to a black and white image as well as make something starkly different. It definitely stands out amongst the rest of the images I shot last night.