iPhonography – JWNPhoto.com

Articles Tagged with: iPhonography

Brewvival 2013 – A Tale of Suds & Mud

A couple of years ago, my buddies Chrys & Robert asked me to cover Charleston Brewvial. Last year I couldn’t make it, but this year I was determined to go as a participant so I could fully enjoy one of the greatest events in the greater Charleston area.

I originally planned on taking my P&S P7000 with me, but when I woke up on Saturday morning I realized that the rain was not going to be forgiving and I would be happier using my free hand to hold an umbrella instead. The rain was such a presence, in fact, that it became one of the stars of the event.

Not one sit idly by without letting the photographic itch consume me, I did make proper use of my iPhone to capture my experiences. This shot just above was of the first of many who decided to not give any fucks and start playing in the mud. Put thousands of people on a muddy field and someone’s gonna get dirty. Add beer, and a whole lot of people will join in happily.

Photo by Chrys Rynearson of me taking the shot above

Lets not forget the true star of the event. Beer.

This year, sour was all the rage. Most of the brewers had a signature sour beer and they were almost all fantastic. I only dumped one glass the whole day because I just didn’t like the taste at all. While that might sound sacrilegious to some, when you have a tasting event like this, if you don’t pace yourself you will most likely end up like the guys in the photos above. That means choosing wisely. The best part is when I found a beer I truly enjoyed, I couldn’t wait to share it with my friends (and even some strangers).

There are countless articles written about the benefits of having a camera-phone like the iPhone because the best camera is indeed the one that you have with you. My piece of advice with iPhonography is the age old photographic wisdom of “If you think you’re too close, get in closer”. Be concise with your storytelling and know the limitations of the camera. For events like this, it’s all I need because the lighting was perfect (cloudy and outdoors), it fits in my pocket, and I can focus on the experience with friends because I’m “just another guy with a camera-phone”. Besides, it’s nice to let your photog friends do the heavy lifting while you tip a few back and act stupid:

I could have sworn Robert took this photo, but I guess Chrys was standing next to him! I’ll give the credit to Robert Donovan anyway since I was exposing myself to him 😉

Check out the rest of my photos in this Flickr set, also be sure to check out Chrys’ set, CHSBeer.org, and the official Brewvival Facebook Page.

Photo-Tech Update

I was recently “forced” into an upgrade of my iPhone to the new 4S model (by forced, I mean I was eligible for upgrade pricing and the home button on my 4 wasn’t working, so I bought a new one). I have to say that I’m floored by the quality of the new iPhone camera. Combined with the amazing photo editing software available on iOS such as Snapseed, you can make truly stunning photos. I’m not saying anything new here, but the newer cell phone cameras have enough resolution where editing photos is far less destructive (at least it’s less noticeable). Photos such as the one above are now at a resolution suitable for printing at a decent size! The dynamic range seems more realistic, and the image stabilization helps combat Mr. Blurrycam (this is especially effective for taking video). I’m very excited about it.

TechCrunch brought this service to my attention. CameraTrace claims to be able to find your lost camera based on an embedded serial number in your EXIF data. The concept is very interesting, but it seems to me the type of person who is stealing photo equipment will not be uploading pictures to Flickr. It’s more likely that the camera will be sold on Craigslist or in a WalMart parking lot to an unassuming poor photographer who will be the one who gets caught with the stolen goods (I know, because I recovered my stolen camera in a WalMart parking lot from a guy who was reselling my D40 on Craigslist that he obtained in a WalMart parking lot). Still, you might get your camera back! The issue I have is that sites like Flickr and 500px are not nearly as popular as Facebook has become for the average person sharing their photos. If they can find a way to search against Facebook photos, then I’d fully support this service. $10 is a pretty small amount to register your camera though, and it will give you an edge in case you do ever fall victim to camera theft.

The last thing I wanted to talk about is the Nintendo 3DS and its 3D camera. As far as I know, this is the first widely distributed 3D camera in the world. It’s unfortunate that Nintendo was cheap in the actual camera quality, because the potential is far greater than the reality. Regardless, a 3D still camera is an amazing tool. As photographers, we’ve been forever battling to interpret 3D reality in only two dimensions on film, paper, and/or digital screens. We struggle to find compositional tools to define depth, but with an actual 3D camera, you can see the depth. The cool thing is that it challenges you to exploit that depth, which actually carries over into a 2D conversion of the same photos. By trying to make a better 3D photo, you are actually making a better 2D one as well. I know that sounds crazy, but it makes sense when you really think about it. By trying to isolate and draw the eye to your subject, you instinctively use the techniques that photographers have been practicing for years. From using the rule of thirds to moving closer to finding leading lines, those techniques become second nature when composing in 3D because you are seeing the actual depth! I think the Nintendo 3DS could be a great training tool for teaching composition.

It’s Not The Camera

It’s who you know. But that’s not just what I’m talking about. Good pictures don’t care about hardware, they care about the intention and execution of the person conceiving and/or capturing them. Sure a camera’s lack of abilities can hinder you from getting a shot you envision, but that doesn’t mean you can’t make a good shot with a poor camera! Once you realize this, it’s a matter of exploiting what the camera can do, and not wasting your time griping about what it can’t do.

The photo above was made at the Archers of Loaf concert in Brooklyn, NY this past Saturday. I made it on my iPhone using the app Camera+. I shot it, converted it to B&W, and immediately shared it on Facebook. The next day, a writer for L Magazine (who is an old friend) saw it and asked to use it for his review of the concert. So yes, it is mostly a case of who you know. I did offer up some technically better shots taken with a better camera, but he liked the iPhone one enough and it works in spite of the fact that it was made on a cell phone.

I’ll be sure to share more shots of the shows I attended this weekend that I made on my newest camera when I review it. I also have all of my vacation shots sorted out – just need to title and tag them, so that will be up this week also.

Old Architecture

One of the subjects that I’ve been leaning on since I started my Abstract Photo Project a little over a week ago is architecture. There’s no shortage of interesting elements in a classic building or home – something that makes me sad about the majority of today’s cheap pre-fab buildings that we see all over the place. Most strip malls and steel buildings are just offensive to the senses, so when you take the time to admire the quality in design of a great piece of architecture it’s all the more meaningful today.

On the flip side, I do enjoy the urban decay of old buildings. The texture of the peeling paint and the off kilter shape of a dilapidated building structure makes for an interesting photograph.

Looking up close at the features of a great building and changing your point of view can give you endless compositions to play with the lines and shapes of the building. Old banks and government buildings have great columns that are begging for a wide angle view of them.

I also like to manipulate the angle of the camera when shooting wide to distort the geometry of the building. You can create a funhouse-like effect with just the tilt of your lens.

Playing with color, contrast, and exposure leads to some very interesting photos when dealing with architecture. The iPhone is a great tool for experimenting with extreme abstract shots of buildings. I often find myself looking for a different angle with just my phone’s camera, only to start editing away and creating something completely new out of it right there on my phone.

Machine Shop

One of the perks of my other job is that I get access to all sorts of interesting places here in the Charleston, SC area. Today I was doing some work in a machine shop over at the old Navy base and while I was walking through the giant shop floor, I started to notice all of the cool shapes, colors, & surfaces all around me. On the return trip I pulled out my iPhone and started snapping shots of various things that caught my eye.

I made most of these shot’s using Trey Ratcliff’s awesome 100 Cameras In 1 app. The color and texture complimented the effects of the app – a case of marrying the right tool for the job at hand.

I also tried using one of the new in-app purchased filters in one of my other favorite iPhone camera apps, Camera+. An awesome new feature in the latest version of Camera+ is the ability to adjust the strength of the filter you apply – very much like Trey’s app. If they let you combine filter’s like Trey’s does then it would be perfect. Fortunately 100 Cameras In 1 does do just that!

Most of us have subjects all around us that can be captured photographically and we pass them by due to either familiarity or just plain negligence to open your eyes in your own backyard. Try to look at life as a tourist – you might be surprised at how cool your environment can be.

Spot vs. Matrix Metering

1/125th of a sec | f/2.8 | 50mm | ISO 200

When a lot of people get a DSLR, a setting that they tend to overlook is the type of metering. Most cameras come set to Matrix metering by default and that’s where it stays. There’s a good reason for that – Matrix metering handles most situations really well. So why would you venture into the world of spot metering?

Shot on the iPhone with Instagram – never mind the goof in the shutter’s reflection

When I’m shooting something like people outdoors or indoors with a very strong directional ambient light source (like a window), spot metering is the way to go. In the photo up at the top of this post, birthday girl Caitlyn smiles for a split second for me. In this type of situation, I’ve got the camera in aperture priority mode, and the metering set to spot. Why? Well, I shoot in aperture priority mode because there are kids hopped up on birthday cake – this means largest possible aperture to get the fastest shutter speed because they are bouncing around like heated up Mexican jumping beans. There is also a huge window wall with the sun blaring right through it. For me this means I need to try to put my subject between the light source and my lens, preferably at a slight angle to get some sidelight.

1/250th of a sec | f/2.8 | 50mm | ISO 200

In order to not have the camera meter for the brighter background, I use spot metering and focus on my subject to get a meter reading off of their face. This will blow out the background, but that is perfectly accepted in today’s photography as it helps isolate your subject. The face and eyes are the important part of these photos, so that is all I care about in regards to exposure.

1/125th of a sec | f/2.8 | 50mm | ISO 200

Matrix metering was designed to address this kind of shooting, but like any automatic mode it lacks the intuitive decision process of the human mind. It will try and properly expose your subject, and a lot of the time it will not get too fooled by the brighter background because it will use a database of different shooting situations to guess what you are trying to do. But, it will try not to overexpose any part of the photo, so there is a chance that it will slightly underexpose your main subject. I know with spot metering that I will get the result I’m looking for each and every time. The real trick is to remember to switch it back from spot to matrix when you’re done shooting!

iPhone Photo App Review – 100 Cameras In 1

The Albermarle | Charleston, SC

There are hundreds of good photo manipulation applications in the iTunes App Store for the iPhone, and a lot of them seem to favor the trend of vintage photography – a trend that is exploiting the poorer resolution of mobile phone cameras when compared to today’s full featured cameras to create a comfortable photo of moments or things that are reminiscent of the shots from affordable cameras from the time before digital. “100 Cameras In 1” attempts to separate itself from the Hipstamatics and instagrams that lead the charts by doing two unique things in it’s latest release.

The Albermarle | Charleston, SC

The first thing that sticks out for me in this app is the use of texture blending as an effect. By blending a layer of adjustable translucent texture – from rough surface areas to stones and splatters, you can add a graphical element to your photos that look as though they were printed on recycled paper with expired chemicals and a clumsy hand. This might sound messy, and to the heavy handed photo editor, it can very well be, but it can also make a common image very uncommon. Not that there’s a substitute for composing a good image, but it can force attention to an image that might get overlooked – bringing out the subtleties in a composition through it’s brand of distracting imperfections. One improvement on this would be the ability to add your own custom textures.

Arthur Ravenel Jr. Bridge | Mt. Pleasant, SC

This photo made while crossing the bridge above was a throw away shot that I made while trying to capture this one. In an effort to prove my point, I took this otherwise ho-hum image and gave it new life with 100 Cameras In 1. While it’s still not my favorite image by any means, it is more interesting to me than the original. The texture and color effects add mystery and intrigue – it almost makes you search for a deeper meaning to the photograph. It tasks you to search for a reason amongst the chaos of imperfection.

The other feature that is new to version 2 is the ability to change each of the 100 presets with a granular slider. Depending on the nature of the effect, “the slider will change the effect of the texture using overlay, hardlight, luminosity, the texture itself, or other methods.” states the developer, Stuck In Customs (AKA Trey Ratcliff). What this does is allow you to add a hint of an effect and combine it with other effects to create something truly original without overdoing it. The results are simply amazing, and it becomes almost too easy to create images that would take a good level of expertise in Photoshop to replicate through more traditional techniques.

The photo above is of my son – I originally took it on New Year’s day to SMS it to our pediatrician because he was swelling up from an infection. I imported the photo into 100 Cameras In 1 and started playing with the effects. I ended up with an overly saturated image using a texture that created a type of effect on his skin reminiscent of Vincent van Gogh’s painting style.

Here’s a promo video from the Stuck In Customs website. They have a page dedicated to information about the app, including a bunch of sample photographs as well as news and tips.

For only $2, you really shouldn’t even think twice about adding this fantastic app to your iPhone arsenal.

Insta Vs. Hipsta

Made with the Instagram App on the iPhone

Instagram is the latest in mobile phone photography apps that has grown quite popular. The idea is not that new, in fact I don’t really think it’s the best app for creating vintage style photos – I think Hipstamatic does the job fantastically. Instagram does have one thing that it does much better though, and that is the ability to take photos fast and share them quickly.

Made on the Hipstamatic App on the iPhone

I know, I know… if it’s worth doing, it’s worth taking the time to do it right – But in the world of mobile phone photography, speed and convenience are king. Hipstamtic is a fun app to play around and experiment with, but if you want to catch the moment as it happens and not wait for unreasonable times between each shot, Instamatic will be the app you’ll want to fire up. I personally like to use the iPhone’s built-in camera app and then import the photos into my 3rd party apps – a feature that is unfortunately unavailable with Hipstamatic. I only use Hipstamatic if I have the proper time to set up and take the shot – with it’s selection of lenses and film types (which are available as packs that you have to purchase within the app), you can really make some beautiful photos.

I love these apps because mobile phone cameras are limited by their sensor sizes and resolution, and by exploiting that fact by stylizing the shots you make, you open up creative doors that you might ignore with a traditional camera. On the other hand, in the right situation with the right lighting, you can make some pretty damn amazing images with an iPhone. Over at fstoppers, Lee Morris has an excellent article demonstrating a fashion shoot captured using an iPhone 3Gs. Here’s the video of that shoot:

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Guided By Violins

I just wanted to write up another music post since I haven’t done one lately. As I’ve stated before, I take a lot of my inspiration from the music I listen to. This evening I was seeking out a song by the band Guided By Voices on Youtube when I discovered this cover version of the song I was looking for by a guy named Owen Pallett. I found his style fascinating, I can’t believe how full he is able to make the violin sound. Sure he’s using loops, but it really works well with this song. If you don’t want to hear all of the lead up conversation, just start at 1:40 to get to the music.

After watching this video I got a little curious and decided to check out some of the other cover songs in the series, which is entitled “A.V. Undercover“. This is originating from a subsidiary of The Onion called The A.V. Club. There are some of my favorite songs and some of my favorite artists interpreting them. For instance, Superchunk covers the Cure, Alkaline Trio covers Archers Of Loaf, and Ben Folds covers Elliott Smith.

I love the idea of this because it sets up limits for the artists to work with – they have to perform live in this little round room and they have to choose from a dwindling list of songs that was thought up of by someone else. Its within these kinds of constraints that you can separate the true artists from the fakers. A true artist has a sound work ethic and can make something spectacular even with limited resources, while a hack will complain about not having the right widget, and how that person did this, and they will slam you with an endless barrage of excuses. Sure the artists out there have their gripes and feel those same pains, but they produce none-the-less.

When was the last time you thought you couldn’t do something photographically because you didn’t have the right lens, or you left your good camera at home, or you forgot your tripod? So what! Most of us have a camera of some form with us at all time. I shot this photo with my iPhone. I was in North Carolina and we were walking into a Mexican restaurant named “El Cancun” when I saw this colorful fence behind the building. I took a closer look and loved the colors, the loose nails, and the diminishing light in the background. I saw the picture with my eyes and then quickly pulled out my phone to capture what I saw.

You can make positive things happen in just about any situation. You just have to open your eyes, identify your limitations, and then exploit what you do have at your disposal.