Projects – Page 12 – JWNPhoto.com

Category: Projects

Recalibration

1/80th of a sec | f/7.1 | 34mm | ISO 200

Like many a tool or machine that you use to get a job done, you creative mind needs to be re-calibrated every once in a while to ensure it’s operating to its full potential. If you feel like your in a slump, or if you’ve taken a break from shooting for awhile, a great way to get back into a groove is to revisit some of the basics.

1/50th of a sec | f/7.1 | 50mm | ISO 200

I’ve been busy with life and haven’t had time to do much creative shooting lately which has been feeling a bit like a rut, so yesterday morning I picked a building that I pass by quite frequently and pulled over to shoot the basics for a few minutes.

1/80th of a sec | f/7.1 | 38mm | ISO 200

What were the basics that I was focusing on? Well, the primary theme I set for myself for this set of pictures was lines, and the secondary theme was texture. I concentrated heavily on my composition and moved around to deliberately position the forms of the building in ways that pronounced the direction and conversion of the lines. The best way to define texture in this situation is to search for contrasts – light against dark, straight against curved.

1/250 of a sec | f/2.8 | 40mm | ISO 200

By getting close and choosing the elements of the photo sparingly, you can find interesting design in most any subject. Once you start to see some of the possible images, the creative juices start to flow and before you know it, you’re shooting in the zone. I believe it’s extremely important to exercise your photographic eyes and to do that, you should properly stretch out by revisiting the basics and re-calibrating yourself.

Street Photography

Day 273 - Xylophone Man On Meeting & Market

0.4 sec f/2.8 11mm ISO 200

One of my favorite forms of photography to create is street photography. I remember showing the shot of the girl doing yoga that is featured at the top of this website (or by clicking here) to someone and they thought that it was weird that I was at the beach just taking shots of random people I didn’t know. I explained that that is the beauty of it – you are capturing real life, not posed life. Once people are aware you are photographing them out in public, they change. Sometimes that change ruins the shot.

I bring this up today because I was turned on yesterday by a post on Chase Jarvis’ blog to a very well known street photographer named Scott Schuman who runs the popular blog “The Sartorialist“. If you have a few minutes, watch the video that Chase shared (just under this paragraph) – it’s very inspirational – it will hopefully make you get why he does what he does.

It also reminded me of the legendary photographer Jay Maisel, who after retiring from doing commercial assignments in the 90’s, focused on street photography as well as teaching and selling fine art prints of his work. If you have a Kelby Training account, there is a fantastic series featuring Scott Kelby and Jay doing a photowalk through New York City. Guys like Jay Maisel and Scott Schuman both stress the importance of exorcising your creative mind, and they do it while approaching strangers so confidently that it’s tough not to be inspired by their skill.

1/60th of a sec f/5.6 200mm ISO 200

One of the things I’ve been known for here in Charleston, SC is my photographs of local scenes and events. I’ve been inspired to add a new “Street Photography” category to my blog to start sharing some of those posts in one organized place. It’s a way for me to have a place to talk about my life experiences when I choose to bring the camera along with me (which is most of the time). I’ve also added an “Insight” category, which is similar to the “Inspiration” category but focuses more on my soapbox type posts about technique, gear, or business, where the inspiration category is about things, people, or events that inspire me. Finally, I added a sub-menu at the top menu of the blog to quickly access these categories so you can browse the blog posts by whatever topic you’re in the mood to read about.

Have a great 1.11.11 – I’ll be more excited for 11.11.11 though 😉

Get A Little Closer

1/2500 sec f/5.0 165mm ISO 200

I took this photo of the columns of a church on Hasell Street the other day in this fashion because the light was really hard. Instead of fighting the light, I decided to get in close to exploit the hard nature of it. By focusing closely in on the lines and contours of the columns, I am able to create a graphically rich and textured photo of one of the more defining elements of a grand old Charleston building.

Sometimes the details of the scene can tell more than a wide literal shot. What is it about the scene that attracts you to it? What naturally draws your eye in the real scene (not the one in the viewfinder)? Try isolating those compelling elements and making a photo about them.

0.8 sec f/2.8 40mm ISO 1600

In the scene above, the lights had just dimmed and the black lights came on as “Rock N’ Roll Bowling” started at the AMF West Ashley bowling alley. They must have recently replaced all of their rental shoes, because I immediately noticed everyone’s glowing white laces and trim on their bowling shoes. I put the camera down at foot level and focused on the middle foot. Without showing a ball or pin, most anybody who’s ever been bowling before will recognize exactly what this shot is about.

While you should always move around and find different angles, don’t forget to get in close and fill the frame. A lot of my favorite photos are very simple compositions with only a few major elements. The best way to achieve that is to get in so close that there’s no room for anything else!

Finding Your Composition Part 2

10 Seconds f/2.8 28mm ISO 200

I really enjoyed writing yesterday’s post. It’s truly a joy for me to talk about the decisions I make when making a photo and also why I choose my favorites from a shoot. I tend to flood my Flickr stream with a ton of different stuff, most of it out of context. Here on my blog I get to put things into a format that explains why I made the shots I did.

I was very pleased to see David duChemin’s blog post today talking about composition. He’s basically reiterating the importance of expression over conforming to the rules of composition. The point I think we both agree on wholeheartedly is that your vision needs to come from within you, not from a set of theories passed off as rules by the general population of some past era in design. Artists like Jean-Michel Basquiat made their statements through their individual and unique expression, not technical prowess.

As I continue to pursue the ideas I get in my head about what specific style I want to define myself with as a photographer, every once in a while I see something very extraordinary that brings out the child-like quality of why most of us ever pick up a camera. A scene screams to you – shoot me!! This was one of those scenes:

1/125th of a second F/8 92mm ISO 200

I have a favorite spot I revisit underneath the Cosgrove Bridge in Charleston, SC that a lot of fishermen like to hang out at. Later in the day on New Years Eve I was traveling over this bridge and got giddy when I saw a beam of light peering out from a break in the clouds. It was mystical to say the least. I would have beaten myself up if I didn’t pull the car over and start shooting. After grabbing a few shots I liked, it was gone. I was left with this completely different photo:

1/100th of a second f/12 120mm ISO 200

Now that my main element (the light beam) was no longer in the picture, I was able to look around and explore the effects of the clouds and the light over a scene that’s quite familiar to me. Slightly to the right of the two photos above was this scene:

1/125th of a second f/8 55mm ISO 200

Notice how the color at the horizon is completely different at this viewpoint and time? I also took advantage of how the clouds were breaking and making triangles at the edge of the scene. While the first two have a horizon that’s nearly in the middle of the shot (some would say that that is a no-no, I say phooey), this one demands a different approach. The mirrored reflection in the water combined with its original elements compliment in a visually balanced way with the grass in the foreground. This was all very intentionally placed in the viewfinder as I composed the image. The secret to successfully composing scenic shots like these for me is to treat each element as a graphical object and place them in a way that they fit for my vision of the scene. My thought process usually begins with a voice in my head telling me, “this looks ‘right'”. After I get a shot like that, I’ll start to expand on it and step out of my head, because that bastard doesn’t know everything and needs to be stood up to every once in a while!

There was something very graphical and cool going on behind me with the clouds, the bridge, and a small pool of water in the foreground. I kept trying to find the best composition and settled on these few elements I just had to include. I started here:

1/125th of a second f/8 85mm ISO 200

I wanted to show a bit more direction with the bridge and include more of the bush. I stayed in the same spot and moved my point of view and focal length slightly to get this:

1/125th of a second f/8 68mm ISO 200

I was pretty happy with that last shot. I moved on and started shooting other stuff in the area for a little while. Then, as I was getting back in my car I looked once again at the same scene. Now the color and position of the clouds had gotten so much more vivid that I had to shoot one more shot of this scene. This is how I composed it this time:

1/125th of a second f/13 92mm ISO 200

I like the last two for different reasons. This last one has a better definition in the clouds and the line of the bridge has a vanishing point that further conveys its direction through the image. I do like the inclusion of the dirt before the pool of water in the first two, but traded it off for that expanded bridge line in the third one. Photography can really be a game of give and take for more reasons than just light values! You see, there were fishermen there and their cars were parked right in my line of sight to the left of the frame. In order to eliminate them, I had to deal with what I had and make it work.

I hope to do a 3rd composition installment in the future involving portraiture, but I’ll need to shoot those shots with publishing the exploratory pics in mind! Thanks for reading. I hope you have a great start to your year. We had a bit of a scare in our house, but it all is seemingly working out now and we’re stronger for overcoming it. “Resistance” has its work cut out for it if it thinks it will hold my family back from its dreams!

Help-Portrait 12/16/2010 Event

Yesterday the Help-Portrait group that I started that is serving the MUSC Children’s Hospital held it’s second event of the holiday season (we did two because we could). This time it was a whole new group of photogs who volunteered for the event – Eugene Mah (who also has shared a set of photos from the event on his site), Kristi Heupel, Drew Anderson, and my lovely wife Amy Nienstedt joined my big bald self in taking shots of the awesome kids, families, nurses, and staff members at MUSC.

Everything started smoothly, we had a brief scare when they tested the fire alarm (last week we had to endure an actual alarm that was pretty frightening), but we were able to get set up quickly and started shooting right away. The biggest scare was when I forgot to instruct one adorable little girl to stay on the panel board floor I had put down on the white seamless backdrop. The poor thing walked right into the seamless paper and nearly brought the whole thing down on herself! Luckily we were able to swiftly get her out of there and we patched things up quickly – another reason why having a group of photogs on hand is great! Other than that things went very smoothly – we learned from last week’s event and brought more laptops so we could wrap up the editing and delivery of the photos much more efficiently. We also had the wherewithal to grab some shots of ourselves as well as the staff at the Children’s Hospital, who are an awesome group of people who give their hearts to these kids every single day.

I don’t need to go into too much about how this makes me feel, you can read this post about it, but I just wanted to say that we’re all here now on this planet together and no matter what cards life has handed you, we all need to look at the gifts we have and celebrate them.

Thoughts On Today’s Help-Portrait Event

Before I start, I just want to credit the photographers who took the pictures in the diptych above. John Lindroth took the photo on the left of Krista Leapold, myself, and Kathy Hare, and Kathy Hare took the photo of me on the right. John, Kathy, & Krista all joined me to photograph children and their families at the MUSC Children’s Hospital this morning.

I have to go ahead and say that we had an absolute blast doing this today. In fact, it was a major highlight of my journey behind the lens so far. The families were genuinely grateful and excited to get their pictures taken. The looks of joy on the kid’s faces was worth more than anything tangible in this world. I wish I could share some of the pictures that Kathy & John took of the kids checking out their photos on the back of my camera’s LCD screen. Their joy was matched only by the joy in my own face as I looked at their reactions. I felt like a parent on Christmas morning watching his children open up their gifts. But the pictures we made today are for the people we photographed and are not mine to show, so I can only share my words with you.

To be able to share our passion for photography and creativity with people like those that we served today is why most of us ever decide to make photographs. We want people to share in a moment of time that we stopped forever because it meant something to us at that point. Little gifts like this will hopefully make the experiences these children are enduring filled with enough highlights that their passion for life will burn stronger than the illness that put them there.

Unlike the other local Help-Portrait group that is serving the Charleston Convoy of Hope on December 11th, we did not serve hundreds of people today (they did an amazing job last year and are estimating over 1,000 subjects at this years event). This gave us the opportunity to not only create professional portraits, but also take candid editorial style photos of the kids during the event. We were lucky to photograph every kid that was not confined to their rooms, which was amazing. They each got a CD filled with the pictures we made, and the hospital also got a DVD of all of the pictures we took so they can use them any way they want to.

I shared a bunch of pictures in yesterday’s post that are similar to what I was doing today, so because Krista was helping out today I present a picture I took of her being her bright and cheery self. Thanks for reading!

Practicing For Help-Portrait

Last night I setup my white seamless background and umbrellas and invited some friends over to be models so that I could test all of my equipment and setup for the Help-Portrait sessions I’m leading. Since one of the key points of Help-Portrait is to give the photos you take of a person in need back to them and not publish or use them for your own personal gain, I thought it would be nice to share the type of photo’s I’ll be taking by using my friends’ shots as an example.

The photo above our family’s friend Krista’s children. Below is our neighbor & friend Melinda & her daughter McKenzie.

Here are a few other shot’s of their families that stuck out for me. We had a lot of fun making these, and if I hope the kids at the hospital can get a few minutes to escape their surroundings and feel a bit of normalcy.

Lola, our Pomeranian princess, was interloping on quite a few shots!

McKenzie is adorable!

Lola knows who the star of our home is, doesn’t she?

The all-American family shot. Anthony looks quite proud, as he should!

Yoga with a giggling prop!

I’d like to thank our friends for helping us out as we prepare for today’s event. They were awesome and their families are beautiful!

Time To Give Back

**UPDATE – 12/1/2010** – I have posted the notes from our first planning meeting here. We have our volunteers set for the December 6th event, but still need people for the 16th and back-up volunteers for both dates. We also could use a portable photo printer if you have one to loan us.

**UPDATE – 11/29/2010** – Our first planning meeting will take place on Wednesday, December 1st at EVO Pizza in North Charleston. The details can be found here.

**UPDATE -11/22/2010** – We have set two dates: December 6th & 26th 2010 – please click here for the details.

Original Post – 11/16/2010:

Last year, I saw a video about the annual Help-Portrait event in Charleston. I thought it was brilliant and put a reminder in my calendar so I could remember to get involved with it this year. Help-Portrait is the brainchild of celebrity photographer Jeremy Cowart. The idea is for local photographers to organize a way to use their skill to give back to their community by volunteering time and prints for those in need.

My wife and I have been talking back in forth for a long time about how we could help kids with cancer. She regularly follows the blogs on CaringBridge.org, and get very emotionally attached to the families and their stories. Recently, one of our daughter’s classmates, Jesse, got diagnosed with Leukemia after he couldn’t walk into the state fair with his grandparents. Just the thought of a 10 year old boy not being able to make it into the fair is heartbreaking enough, and to suffer through the horror of finding out that your child has been diagnosed with cancer is something I could never even fully imagine – but it happens to the most unlikely and innocent children.

So, when I signed up for Help-Portrait in anticipation of volunteering for an event that was being run by another local photographer, I was kind of bummed that nobody had anything planned yet for this year. Then it clicked in my head. I could do it. Why not? But what to do – who could I serve for this? The answer hit me like a ton of bricks – We could do it at the MUSC Children’s Hospital and we could take holiday portraits of the families who are in similar situations as Jesse’s!

Today, my wife Amy finally got to talk to the Child Life Manager at MUSC and explained our plan. Unfortunately, the day that Help-Portrait is planned for (December 4th) is not a possibility with their schedule. However, she did say that she was really excited about the idea and that there are plenty of other days that we can do it on! So I talked it over with my wife, and we both easily agreed that the date is really unimportant – we don’t have to do it on a specific day to be part of this. The idea is to give back, not to give back on only one specific day! I’ve created a group for this MUSC Kids project on Help-Portrait.com for anybody who wants to participate with me. It’s the same idea as Help-Portrait, just on our own schedule. Anybody can help – photographers, make-up artists, hair stylists, people who can hold a light stand – anybody who wants to be a part of this is welcome! I also signed up with the existing Charleston, SC Help-Portrait Group because I plan on helping out with whatever event pops up for the 4th of December.

This is what we are going to be focusing our efforts on in the coming weeks, so please, sign up at the Help-Portrait community site and get involved! Lets make this happen together, it will be fun and you will make someone’s day a bit brighter.

The End of No Shave November

After a month of growth, today marks the last day of November as well as the end of my beard (for now). It’s interesting to see how even a simple chore such as taking my own photo every day starts to make my mind wander into new territory. I started out just using the same lighting and spot and then started experimenting with the way I was lighting myself – changing the umbrella configurations, playing with gels, and using the walls as a giant bounce flash. I actually learned a bunch doing this because I let myself play around with it. If you find yourself in a personal project such as this one, by all means you should exploit it! I only wish I started stepping out of my element sooner.

You can check out the whole set on Flickr here. Here is today’s final photo. I half-assed it.

Making Art On Vacation

One of the benefits of being a photographer and going on vacation is being in a place you don’t experience every day. On the other hand, one of the obvious problems in visiting a vacation destination is trying to make something new in a place that everyone shoots! No other place defines that issue more to me than Disney World. You can’t take a step without seeing someone with a camera up to their eye. From cell phones to the most expensive DSLR’s on the market, it’s a safe bet to say that Disney World is the most photographed vacation destination in the world. So how do you make something new while visiting a place like that?

I look at a place like this as a great way to further define your style, because that is the only thing that will separate your shots from the tens of thousands of other shots taken every day. What can you inject into a scene that makes it yours?

It can be overwhelming when you start to think that you are photographing a mostly man-made environment – how are you making art out of someone else’s art? That is what photography is all about! Capturing images of life the way you see and interpret them. You’re telling a story with your own voice, even if it’s a retelling of another person’s tale.

Adding your loved ones into an interesting background is a no-brainer, but how about making them a part of the artwork by composing them as an element in it?

I personally like to look for shapes and textures in a place like this – especially during those harsh mid-day hard-lit hours. You can shoot in every type of light, but you need to work within its limitations while exploiting its positive points.

When looking for design elements, you can always make a decent picture much better by adding an element that sticks out, such as people. I started shooting this scene and even though I loved the color and angles, I was bored with it until I asked my daughter and her cousin to sit off on the side of the wall.

As I’ve stated in previous posts, I also love to shoot in low light. I composed this shot and used the guard railing inside Space Mountain to brace the camera as my son awaited the last ride of the evening (and our vacation).

This photo was made by holding the camera steady against the fender of the car/table directly in front of my family’s seats at the Sci-Fi Diner.

When you don’t have anything to act as a makeshift tri-pod, you can get low to steady your elbows on your legs, shoot wide open and crank up the ISO. This shot was done at f/2.8 and ISO 1600. I had to take quite a few of this scene to ensure that at least one of them would be acceptably sharp. It’s digital, it doesn’t cost you anything to let the shutter fly, but you can loose everything you’re trying to say if you’re not generous with your disk space in extreme shooting conditions such as this.

There are plenty of opportunities on vacation to relax and stretch your creative mind out while behind the lens. Go ahead and try new stuff while opening your eyes a bit wider to find the shots that most people might skip over. I still haven’t shown you my favorite shot that I took on this trip, but I have hundreds of photos to go through. I promise to share it with you this week as I get more time – the sucky part of returning home from vacation is all of the work that piles up in your absence, so I’ve got a busy week ahead of me.

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