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Replacements Weekend in Brooklyn

Last weekend I took a trip with my daughter to see one of my favorite reunited bands, The Replacements, play at the Forest Hills Tennis Stadium. It was their first show in NY in 23 years, and it was the 3rd Replacements show I’ve been lucky enough to see since they reunited in Toronto last year. It was also the best one yet, but that might be influenced by all of the friends that were there to witness it with us.

Traveling with my daughter, I didn’t want to impose ourselves on my friends’ couches and spare rooms, so we used airbnb to get a sweet apartment in Brooklyn. Just a block away from McCarrren Park & Pool, we were in a great location for wandering around and checking out the Brooklyn scene.

We took full advantage of the great weather and spent a lot of time walking/shopping/eating in lower Manhattan as well.

We also caught a nice Sunset over NJ from the High Line:

It’s hard not to miss my old stomping grounds when you’re sharing a bottle of wine with friends on a rooftop in Brooklyn while looking at the Manhattan skyline. Good food, good music, and good people. That’s a good life right there…

You can check out the rest of my photos from our weekend trip on this Flickr set.

One last thing – I’ve joined Ello (thanks for the invite Patch Whisky), which is branding itself as the Anti-Facebook – an effort to cure all of the evils of the biggest social network. Check me out here.

Creating Shelly Waters’ Imagery for Drive

The road to the image above was long and hard-fought. The shoot was a total of 773 images, including test shots and all. Some days you have to work harder than others. There have been more than a few times that the first few images of a shoot are the strongest. Sometimes you have an immediate connection with your subject, the light is right, the mood is clicking, and the stars are aligned. Other times you have to build. You create a foundation, you lay the concrete and build up on top of it one piece of timber at a time. The end result is hopefully something you’re proud of. Those images seem to have a special place in my heart, mainly because I knew what it took to get there.

It’s not the subject’s fault either – Obviously the image was/is in them all along. It’s just that some days are harder than others. The trick is in working your way though those days and going back to the basics of everything you know about relationships, art, and technical ability.

If a person starts off a shoot by telling you that they’re terrible in front of the lens, yet when you’re talking to them beforehand they’re full of energy and charisma, you know that they’re full of crap (I mean that in an endearing way). But, they don’t know that. It’s time to become a creative psychologist and figure out the problem and create a solution. You pull out your potato peeler and start peeling back that tough skin.

I loosen up the subject and ask them to do some awkward things that get them out of their head. I make sure the music is making them move when they think I’m not paying attention. I pull out some strange props or ideas to see how they handle it…

The hair/make-up artist is a valuable tool to break any tension. It’s a person who you can bounce ideas off of and he or she can be a real confidence booster when they start getting excited.

Amanda Rose assists Shelly Waters

But, once the subject starts to open up, then I start to act like a personal trainer – It’s my job to keep pushing the subject to their limit. I’ve gained their trust and now I’m bending it as far as I can. I’m forcing them to react by shouting, laughing, dancing around the set… Whatever it takes to get their personality to appear vividly in a two dimensional photograph.

At the end of any job, I ask myself “How was the experience?”. A shoot like this one was long, but it went by quickly. We struggled but we ended up laughing. There’s a valid reason why I love shooting people, and it’s simply the human experience of it. My day is filled with little interactions, but when I can work so intimately with another person I barely know in such a unique way and come out with a memorable experience as well a piece of art, that’s a good day on the job.

Here’s Shelly Waters’ new cover artwork for her latest record, “Drive” (click here to go grab a copy from her website):

Four From Venice Beach

Sunset Surfers | Venice Beach, CA 2014

Sunrise Declaration | Venice Beach, CA 2014

Early Morning | Venice Beach, CA 2014

Late Day Skate Park | Venice Beach, CA 2014

These four photographs I made in Venice Beach, CA are ones I keep going back to. I don’t think they need much context, they’re just images that speak to me personally and artistically and I thought I’d share them here with you.

I Am Not A Wildlife Photographer…

I’m not a wildlife photographer…

But I love to shoot the birds and bugs in my backyard.

I’m not a landscape photographer…

But I love to capture the beauty around me.

I’m not a sports photographer…

But I love to witness mad skillz, yo.

I’m not a street photographer…

But I love to find art in the moment.

I’m not a fashion photographer…

But I love to collaborate with artists to make something interesting.

I’m not an architectural photographer…

But I love to witness man’s feats of greatness.

I’m not a portrait photographer…

But I love to see a part of a person’s personality conveyed in an image.

I’m not a wedding photographer…

But I love to see a bride looking her best.

I’m not an abstract photographer…

But I love to see the Devil in the details.

I’m not a maternity photographer…

But I love to see a woman becoming a new mother.

I’m not a pet photographer…

But I love to capture an old man saying goodbye to his old best friend.

I’m not a music photographer…

But I love music and I think it’s what saved my life.

I’m not a headshot photographer…

But I love to capture a person the way I see them.

I’m not a fitness photographer…

But I love to capture a person in the best physical shape they can be in.

I’m not an editorial photographer…

But I love to make a portrait that tells a story.

I’m not an event photographer…

But I love an opportunity to score a free beer (or seven).

I’m not a fireworks photographer…

But I love to see things that go boom!

I’m not a travel photographer…

But I love to see new places and faces.

I’m not a fine art photographer…

But I love to stretch my imagination.

I’m not a family photographer…

But I sure do love my family.

I’m not any single kind of photographer.

I’m all of them and none of them.

I’m just a person who loves to capture life in a bottle so I can open it up and share it with everyone else every once in a while.

A Tale of Two Cameras

Grand Canyon South Rim 7/25/2014 at 1:30PM

Grand Canyon South Rim 7/25/2014 at 6:55PM

What we have here are some photos I stumbled upon from my recent west coast vacation that are very similar compositions of roughly the same area of the Grand Canyon taken with two different cameras. I didn’t do this on purpose, but I was pretty impressed with the similarities in the overall quality of the images that two very different cameras produced. If I had planned out this post while I was out there, I would have shot two identical shots on a tripod with both cameras back-to-back so the time was the same, but I didn’t and still found the quality of the images comparable. Artistically, these are pretty ordinary photos of an extraordinary place, but I could spend all day from sunrise to sunset shooting and at the end of the day, and if I’m lucky, I might have a photo or two that I would be proud of (I’ll show you those in a different post soon).

Let’s talk about the non-technical differences of these first two photos caused by the time of day. The photo at the top was taken in mid-day sunlight. You can see a lot of hard contrast, you can see the shadows of the clouds on the canyon below, and everything is lit pretty evenly from the front to the back of the image. The second photo is at the tail-end of the day, the light is directional and lower in the sky to the left of the frame. Everything in the front and middle are in the shadows, while the back is hit with very warm sunlight. So when I’m comparing these two images, I’m not thinking about which image is more aesthetically pleasing, but how well the camera’s handled the situations at hand.

Both of these images display what I would consider a fantastic demonstration of dynamic range. There are details in both the shadows and highlights, and the transition and color is very much like what I saw with my naked eyes. If you had a less-than-capable camera, the top image’s areas of contrast would be completely black, while the bottom image’s highlights would be blown out.

One photo was made with my “Pro” camera, the Nikon D800 – The camera I use for commercial work, and the other was made with my “Fun” camera, the Fuji X-T1 – The camera I use for just about everything else these days. The Nikon is a full-frame 36 Megapixel beast of a camera, while the Fuji is a 16 Megapixel cropped sensor camera that is quite small because it’s also a mirror-less camera. Can you guess which one is which?

Here are the settings for the top image: f/11, 1/210, 55mm ISO 200

Here are the settings for the bottom image: f/8, 1/250, 70mm ISO 400

The top image was made with the Fuji X-T1 using the 18-55mm f/2.8-4 “kit” lens, and the bottom was made with the Nikon D800 using the 24-70 f/2.8 lens. You could get the Fuji with the kit lens for less than the cost of just the Nikkor 24-70 lens itself!

Now, let’s take a look at two images taken at wider angles closer to the same time of day with the two different cameras. These two images are very different compositions so it’s a little harder to compare them.

Grand Canyon South Rim 7/25/2014 at 6:00PM

Grand Canyon South Rim 7/25/2014 at 7:00PM

Here are the settings for the top image: f/8, 1/160, 27.7mm ISO 200

Here are the settings for the bottom image: f/8, 1/250, 28mm ISO 400

Once again, the Fuji is on top and the Nikon on the bottom. It’s pretty crazy how well the Fuji stands up to the Nikon. Realistically, you can make similar exposures with an iPhone, although there wouldn’t be nearly as much detail when blown up or printed and the dynamic range wouldn’t be as defined. But, when looking at them at this size on your phone or computer, they would look pretty close.

So that leads me to this last comparison that lesser cameras would crumble under – A sunrise.

Grand Canyon South Rim 7/26/2014 at 5:45AM

Grand Canyon South Rim 7/26/2014 at 5:50AM

Same two cameras and same two lenses. This time the exposures are only 5 minutes apart. Now, there is a huge difference in the focal distance as the image above is wider than the second sunrise image. Also, the image on top was sitting on a tripod using a smaller aperture and a long exposure so it’s definitely sharper. The handheld image was shot with a faster shutter speed, larger aperture and higher ISO to compensate. These differences certainly affect the look of the image, so the comparison isn’t technically ideal.

Here are the settings for the top image: f/11, 0.4 seconds, 42mm ISO 100

Here are the settings for the bottom image: f/5.6, 1/60, 55mm ISO 400

As you may have figured out by the settings (the Fuji’s native ISO is 200), this time the Nikon is on top. The Fuji doesn’t compete with the clarity of the Nikon, but I believe that’s mostly because of the difference in the way the image was captured. Overall though, the Fuji made an image that if I told you that I used the same camera for both images, nobody would question it. Given the setup, I was able to compensate for my use of the Fuji handheld instead of on a tripod and make a very solid and richly colorful image. Therefore, I think the comparison works aesthetically.

In conclusion, this very unscientific comparison interested me simply because I never set out to do it in the first place. All of the images were created with no bias for comparing them later – They were just made to capture the scenes with the tools at hand. The fact that I’m able to use a smaller, cheaper, and all-around more enjoyable camera and make images that stand up against a top-of-the-line DSLR makes me happy. The Nikon still technically out-performs the Fuji, but not by a whole heck-of-a lot in these situations.

One last thing – All of these images were given very similar post processing RAW conversions using Lightroom/PS/Color Efex Pro. No elements were removed, and the only cropping was to straighten some of the images.

Another last thing – Robert Donavan sent me this link to Tom Grill’s blog where he did a very similar comparison using a D810 and the X-T1. I think he was a bit more concise with his argument about the use of the final image and how they compare for what he does.

MeFoto Travel Tripod First Impressions

It’s been quite a while since I’ve talked about gear on the blog, so in light of my recent obsession with my Fuji X-T1 camera, I asked my wife to get me a new tripod specifically meant for smaller cameras for my birthday. She delivered with the MeFoto BackPacker Travel Tripod – And she made me this awesome raspberry-filled almond wedding cake too:

Anyway, I took a closer look at the tripod this morning and this thing is pretty awesome for what it is.

It’s only 12.6 inches long when folded up, and it expands to 51.2 inches. It also only weighs 2.6 lbs. While I prefer a much taller and heavier set of legs for my Nikon, the whole point of the Fuji is to minimize your gear. It’s a camera that makes you want to always bring it with you. So for traveling, I can take a tiny tripod like the MeFoto and fit it in my bag without really noticing it.

It has twist locking legs, which I prefer because with one twist of my hand I can unlock all 4 joints on a leg. They also minimize the bulk of the whole thing. The ball head has an Arca-Swiss style compatibility quick release plate, which is cool because you can get an L-Plate without changing out the base. That’s a great thing on such a small ball head for shooting in portrait mode so the camera’s weight can remain centered and balanced. There’s also a little bubble level built into the head, which is always a time saver when setting up a landscape photo that you want to be level. Sure, the X-T1 has a level built in, but this saves you time while setting up before you even get the camera mounted.

Hold on, I just remembered that there’s still cake in the house…

YUMMMMMMM!

OK, so the other thing that really impresses me about this set of sticks is the versatility of its design. Because the legs fold up over the ball head, you can invert the tripod to get down low!

I was a little concerned about the overall height of the tripod, as one of the reasons to want a travel sized tripod is to take self & family portraits while on a trip. I setup the tripod fully extended and stood as close as I could to fill up the frame from waste-up. I think for this purpose, the angle is flattering enough, and if I were standing in front of something that I’d want included in the photo, it would work. Please take no notice of the 14 year-old trying to photo-bomb this shot – f/1.4 FTW!

MeFoto A0350 Travel Tripod Selfie Test Shot

My first impression of the MeFoto BackPacker Travel Tripod is that this thing is loaded with great features and the only compromise is its height, which for what it’s designed to do isn’t a deal-breaker. You wouldn’t want this as your main tripod for professional work, but if you’re someone who leaves the tripod at home because it’s too inconvenient for you to lug a giant pro set of sticks around, then something like this is the way to go. I’ve yet to try it out with any long exposures, but I was impressed to see that it does feature a retractible hook to hang a weight (more than likely your camera bag) to help keep it steady in the wind. Also, in theory the lightness of the tripod shouldn’t be a problem with a mirror-less camera for long exposures since there’s no vibration caused by a mirror flipping up.

Now, I think there’s still more cake left…

Summer Time

It’s been a very busy year so far – July 4th seems to sneak up and remind me just how fast time slips by. I’ve been busy growing my other business while still working this one. In fact, I surprised my crew yesterday by dragging in a light and a backdrop to the office for some surprise headshots:

Rashaud

Ben

Speaking of headshots, I’ve been doing a lot lately for various professionals in the area. A few years ago, you could only thrive from doing headshots in a major market, but because of social media every professional needs one, not just actors and comedians.

Here’s a couple I did this past week:

Dr. Kelsey Harris

Dr. Molly Slade

I’ve also discovered that my Fuji X-T1 is quite the capable headshot camera. The two headshots of the guys in my crew were taken with the Fuji, while the two doctors were taken using my Nikon D800. While the flexibility gained by the controls, full frame sensor, and lens selection of the Nikon are paramount to shooting professionally, the Fuji’s results are almost indistinguishable when the output is simply an internet profile picture. The only drawback I found with my current lighting rig is that I need to close down the aperture on the Fuji a couple of stops because it shoots natively at ISO 200 and it’s a cropped sensor. That leads to more depth of field when shooting with strobe lights. For headshots like these, it’s not a problem though. For creative portraiture using these strobes it might be limiting, but I think a ND filter or two would help in that case. The look of a lens at it’s proper focal length that you get from a full frame sensor when compared to a cropped one can’t be beat, but like the US Soccer team’s performance in the World Cup game against Belgium, it comes really close by giving it its all – And that’s nothing to be ashamed of.

Sorry, I fell into a technical wormhole. Back to the photos…

Shepard Fairey Installation At The Sottile Theater

If you haven’t stopped by the Halsey Institute of Contemporary Art to see the exhibit of Shepard Fairey and Jasper Johns, you’ve got ’til July 12th to do so. The work is amazing and inspiring. Shepard Fairey has a few installations in the Charleston area, including the one above at the storefront of the Sottile Theater on King Street. There’s also a few murals that he’s put up, such as this one on one of the College of Charleston’s dormitories:

Selective Color Still Lives!

I do love some street art. In the right places, like the back alleys of the city where people store their trash, they bring color and joy. I find the story told by the street artists to be just as compelling as the story told by the architects on the main streets.

The Other Part Of King Street

On another note, every once in a while I get reminded of just how amazing the camera in my pocket (the iPhone) is. I snapped this little dragonfly while walking into a client’s office the other day:

Dragonfly Instagram

I also got to go to a wedding that I wasn’t working at for the first time in a looooong time. I still managed to take a few photos, but only because I wanted to, not because I had to!

Samantha & Jerry

I’ve been seeing as much music as possible and spending some great time with my daughter in the process. We had front row center seats to see the Head and the Heart and Valerie June recently:

The Head and the Heart

Valerie June

At the start of the summer I surprised my daughter during our “school’s out weekend trip to Disney World” with a visit to Universal Studios to see Huey Lewis & The News!

Huey Lewis & the News

Speaking of Disney World, I captured this family photo with a Rokinon fish-eye lens on my Fuji X-T1 while we rode Primeval Whirl in the Animal Kingdom:

The Nienstedt Family

And while we were walking through Epcot’s World Showcase, we ran into some old friends. It’s Paulie Latex and Jenny Jelly of Latex Generation fame! Paul used to sing and play guitar in my band and Jen was our merch girl. I wrote a song about them when we were teenagers about how they would never last. I then wrote a song a few years later about being astonished that they were still together. Now they’ve got 3 girls and have been together for somewhere near 20 years. Holy crap was I wrong!

Latex Generation Family Photo Disney World 2014

Photo by Mrs. Edel

Local artist Patch Whisky asked me to shoot some of his artwork to be reproduced as prints that he’s now selling on his website. It was a different animal to shoot his monsters, but they sat well for the shoot…

Patch Whisky

On the topic of artists, I sadly had to say goodbye to one of my favorite artists who gathered his family up and moved to the West Coast. Here I am getting one last tattoo from Rob Junod at Holy City Tattooing Collective:

Getting the Junod one last time (In Charleston) #holycitytattooingcollective #tattoo #IWantYourSkull #nipslip #organicsweater

Rob Junod & a Shirtless Me

Rob’s wife, Amanda Rose, is a talented hair & make-up artist. I worked with with her recently for Shelly Waters, who hired me to shoot the cover of her upcoming CD. I’m bummed that the Junods had to leave, but I’m happy to see where their journey takes them as they are both immensely talented.

Shelly Waters and Amanda Rose

And finally, since we’re on the topic of tattoos and art, my wife Amy paid a visit to Margo at Holy CIty Tattooing Collective just yesterday to start work on a new piece on her bicep. It’s just an outline in this picture and it already looks amazing!

Amy

I think that about wraps it up for this post. We’re planning a road trip later in the summer, so hopefully I’ll capture some fun photos of that adventure. It’s gonna be filled with plains, trains, and automobiles for sure!

Capturing Live Music With A Fuji X-T1

Willie Nelson | Fuji X-T1 | Fujifilm XF 55-200mm

Last year I entered the world of mirror-less interchangeable lens cameras with a score on the Canon EOS-M. I love that camera. The touch-to-focus LCD screen is amazing only because it’s just like the way I use a camera phone, but it also has the option to actuate the shutter when you touch-to-focus (which is doing my phone one better). Anyway, the love affair with the EOS-M got cut short because of one glaring issue – Canon gave up on the system and there’s no glass for the damn thing. I looked at the options out there and as far as lens selection goes for a APS-C mirror-less class of camera, it really came down to Sony or Fuji. I’ll just say it – I have no love for Sony’s cameras (even though they make excellent ones). They’re just not for me.

The Replacements | Fuji X-T1 | Fujifilm XF 55-200mm

My first digital camera ever was a Fuji Finepix (which I still have stuffed in a drawer) and I’ve always had fond memories of that P&S. I had no hesitation diving right into the Fuji X system of cameras and lenses. There are things about the Canon I wish existed on the Fuji (mostly the touch screen), but everything else on the Fuji blows it out of the water. I’m happy to have a useable viewfinder in such a small camera. I’m impressed with its tilting screen (It was used a lot for the images in this post). I’m overjoyed at the WiFi capabilities. But most importantly – There are amazing lenses galore and they keep on coming out with new ones!

Avett Brothers at First Flush Festival 2014

The Avett Brothers | Fuji X-T1 | Fujifilm XF 55-200mm

The Fuji X-T1 really has the ability to blur the line between fun camera and work camera because for a lot of applications, it’s results are of professional quality. It’s also lightweight, I can push photos right to my iPhone and post them just as I would from my phone’s camera, and I’m able to tackle difficult lighting conditions because it gives me choices. Not only choices in fast lenses, but expandability due to it’s hot shoe, PC port, and WiFi remote control. It’s also the first camera I’ve ever owned where I enjoy using it to convert RAW files right in camera. I can quickly get a great looking jpeg out of the camera and post it online immediately. It’s truly revolutionary in that respect.

Cusses Live At The Charleston Pour House 4/19/14

Cusses | Fuji X-T1 | Fujifilm XF 18-55mm

There comes a point with professional photography when it all turns into actual work. When you start looking at your camera as a tool that you use to do a job, and not as a magical box that you create memories and artwork with, that’s when you start justifying “play” cameras. The truth is, modern pro cameras and lenses are too damn good. They’re very efficient and they are designed to be world-class tools of a trade. The size, control system, and aesthetics of the Fuji X-T1 make you want to experiment. I know when I put it up to my eye in public, nobody is asking if I’m working. It’s under the radar enough that I can walk into almost any location with it on my shoulder without so much as a cursory glance from the powers that be. The only time I get comments on the camera is when I hold it up at a show and the people behind me can see the review images on the LCD screen. I’ve received business cards and/or email addresses scribbled on scraps of paper from the people standing or sitting near me at every show that I’ve shot for this post.

The Replacements W/ Billie Joe Armstrong | Fuji X-T1 | Fujifilm XF 55-200mm

So, enough gear talk. You can see what lenses I’ve been sporting underneath each image in this post. Part of the fun of going to a show for me is capturing a piece of the performers while they’re in their zone. I’ve shot from the photographers pit in the past, and it’s not the same as being out in the audience. Sure it’s safer, but it then begins to feel like work. I’m not there to work – I’m there to have an experience… To have fun. I love music and I love photography. They’re a perfect match for me to have fun with. Hopefully you can get a sense of that from these images – They’re truly a labor of love.

Gillian Welch | Fuji X-T1 | Fujifilm XF 18-55mm

The Devil Makes Three | Fuji X-T1 | Fujifilm XF 55-200mm

Fitz & The Tantrums at the Music Farm in Charleston, SC 5/15/2014

Fitz & The Tantrums | Fuji X-T1 | Fujifilm XF 55-200mm

Alison Krauss & Union Station | Fuji X-T1 | Fujifilm XF 55-200mm

The Avett Brothers | Fuji X-T1 | Fujifilm XF 55-200mm

Hayes Carl | Fuji X-T1 | Rokinon 8mm Ultra Wide Angle Fisheye

Fitz & The Tantrums | Fuji X-T1 | Fujifilm XF 55-200mm

Avett Brothers at Charleston Tea Plantation @theavettbros

The Avett Brothers | Fuji X-T1 | Fujifilm XF 55-200mm

You Never Know…

I jumped on Facebook this morning to a message from a friend linking to this article about the state of tattooing in the Charleston area. I was a bit surprised to see my “selfie” as the lead image of not only the article, but as the top story on the front page of the Post & Courier’s website!

Traditional Dagger Tattoo With Fire Ant Hilt and Palmetto & Crescent Moon Pommel

After a minute of surprise, it kind of made sense to me – The tattoo in question is a Lowcountry tribute, with its fire ant, crescent moon & palmetto tree hilt/pommel. The idea I had was to incorporate a fire ant into a traditional tattoo dagger, and Jason Eisenberg over at Holy City Tattooing Collective made it way better than I envisioned. The reason I wanted the design was due to my recent discovery that I’m allergic to fire ants and how it made me feel like the south is trying to do me in – But what doesn’t kill me…

This is my #tattoo #sleeve that @MargoVenomous did for me at #holycitytattooingcollective in #charleston #sc featuring original art as well as elements of the artwork of @tatunga @caiakoopman @patchwhisky #art #ink #chsart #firedragon #demon #lowbrow #pop

The part that does kill me (and every photographer who gets their photos published) is that you never know which photo an editor is going to use. And it’s never the ones you work hardest on! This photo of my sleeve just above represents many hours of sitting in the shop as Margo Venomous worked her ass off putting ink into my arm. It features multiple designs from some of my favorite pop-surrealism artists that Margo expertly corralled into a very Todd Schorr-esque mural on my flesh. I shot it with a full lighting setup and spent time putting it all together in Photoshop. They didn’t want that, instead they used a selfie that I quickly shot in my bathroom mirror to post on my personal Facebook page to show off my new ink.

What I’m getting at is that how we shoot is never as important as what we shoot, and the story that the shot is illustrating is the most important thing when it comes to getting published. Even if it’s a damn selfie.

New Year, New Additions

It has been awhile since I’ve added images to my Fine Art Gallery. The image above is a brand new image that I created just moments ago, while the other four images are ones I created in 2013. The following two images were created recently while staying at Occoneechee State Park in Virginia. The first was at sunrise on Christmas Eve, while the other was taken the day before during a rainy sunset.

This next image was taken during a commercial shoot for a local magazine here in Charleston. It’s a group of Citadel cadets standing in front of a construction wall off of King Street that people have been writing their dreams on. I happened to get a girl walking by in this shot:

And finally, this is an image I’ve posted here before. It’s Sullivan’s Island at sunset on a glorious summer day:

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