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Kids’ Valentine’s Day Cards

My wife saw this idea on Pinterest the other day, and asked me if I could do something like it.

Challenge accepted!

Here’s Mackenzie’s:

And Kegan’s:

The setup was pretty simple. I used this 5’x7′ collapsible background, a flash lighting the background right behind the kids, and an umbrella as the main light on the left. I used the window as the fill.

The background light was set to manual 1/4 power, while the main light was using TTL and was bouncing off the umbrella with a +1 exposure compensation. I shot at f/4.5 and 1/60th of a second at ISO 200. By shooting with a slower shutter speed, it ensured a good mix of the window light with flash.

Here are the final images for both:

I added the graphics and text in Photoshop, made 4×6″ prints of them, and used an X-Acto knife to cut the slits above and below the hand. Add a Blow Pop, and that’s it – Instant cool Valentine’s card!

If you want to try it, I made a template in photoshop that you can download here. Just add your photo to the bottom of the layers and resize it to fit with free transform, then change the name to your kid’s name with the text tool.

Hope you have a happy Valentine’s Day!

What’s in the CameraBag 2.0?

Guess what’s on my camera now? The photo of my reflection in my car’s rearview mirror up top was the first shot I took with my new lens in the parking lot of FedEx, where I picked it up. In case you’re wondering, I’m now slinging a Nikkor 24-70mm f/2.8 lens, and it’s a beast. It’s heavier and longer than my 300mm DX lens (when it’s not extended)! I’m so happy with it, especially since I got such a great deal on it. I bought it from BorrowLenses.com used, and the thing doesn’t have a single scratch on it. The glass is as clean and flawless as the day it was shipped from the factory. It’s simply amazing. But, I’ve yet to use it in a professional setting. I’ve only shot my dogs while trying out various focal lengths and apertures. It’s meant for a full frame DSLR, so on one end it’s not as wide, but on the other it’s longer. No worries though, because I didn’t usually shoot portraits at less than 24mm with my previous lens, so it can only be for the better with the extra length at 70mm. But enough about that for now, lets talk about Nevercenter’s CameraBag 2.0.

This cross-platform desktop editing software is fast and powerful. I’ve been jumping around it’s various features today on my Mac and the program is very polished. It has a very pro look about it with it’s dark gray and black interface, and the layout is extremely intuitive if you’ve used any other photo editing application before.

I love how you can stack different effects and go back and change each setting for each individual effect. It also has an extremely handy feature called “Quicklook”, which lets you see all of the various effects on one screen so you can easily scroll through the different looks visually and choose the one that looks best with your photo.

Another fantastic idea is that you can create your own “recipe” for a photo edit, and not only save it as a preset in the “Favorites” section, but you can drag and drop a photo right on the screen and it will take on the active edits you have in the window. This would be great for editing a group of photos that you want to have the same look. Just drag each photo one by one and export each one as you go. Pretty darn slick.

The programmers are also big fans of curves, which is a good thing. One of my favorite editing elements is “R.G.B. Curves”. As you can see from the screenshot below, it gives you 3 separate curves for red, green, & blue. This is a such a powerful tool by itself because you can easily control color saturation independently. In fact, all of the tools are pretty powerful as most can be tweaked pretty heavily. The presets serve as a starting point, but you can get lost for hours nudging sliders and pulling curves.

So what are my gripes about CameraBag 2.0? Well, the only true gripe I have is that it’s not a plugin for Adobe’s Lightroom, Photoshop, or Apple’s Aperture. It would be nice for it to behave similarly to Nik’s Color FX Pro and allow me to return back to my cataloging software after I’m done with an edit. As it stands now, I have to do my RAW conversion and export the photos before I can edit them with CameraBag 2.0. It’s also the same problem I have with Snapseed. It’s hard to streamline your workflow as a standalone application, but by no means is that a deal breaker.

The most amazing thing about this software is it’s price. You can get it right now in the Apple App Store for only $18.99. Not sure if it’s for you? Download the free trial from their website. Even at $24, this is a steal. Sure you can do some of these edits in iPhoto or Picassa on the cheap, but you can’t do them nearly as extensively. This doesn’t replace apps like Snapseed or Color FX Pro either. It’s similar, yet different enough to stand on it’s own. It’s also very quick and stable. I’m happy to have it in my virtual editing toolbox.

Fog

This past weekend, my family traveled up to the border of SC and NC to do some work on the in-law’s home and to celebrate her birthday. Since her home was going to be a work zone, we opted not to sleep at my mother-in-law’s house and rented a home in Landrum, SC for the duration.

On Sunday morning, after a long weekend of peeling wallpaper, spackling, laying tile, grouting, masking, priming, and painting, I woke up to a wonderfully thick fog. I decided to throw on my sweatshirt and shoes and take a walk down the road with my camera.

Fog makes for some fantastic landscape opportunities. It’s almost too good, because it eliminates so much and allows you to focus on your subjects clearly, which is ironic because nothing is optically clear in the fog.

I guess the best word to explain what I mean is isolation. You can focus your mind’s eye on an object when everything else is out of focus and easily isolate it.

It’s kind of like nature’s bokeh. I also found it very stimulating. I hadn’t even had my morning coffee yet, but I was full of life by the time I walked to the end of the dirt road leading up to the main road. At that point, the creative juices were flowing and the most ordinary things became extraordinary.

The processing on the photos above were all done in Snapseed on the Mac. It’s a great program for making gritty photos, which adds to the mood of my early morning adventure.

After breakfast, the kids & I did some exploring on the property of the rental home. My daughter found a little guest house that was very much geared for youngsters. It had a loft with a bunch of mattresses that were screaming for kids to play on.

My son found a tree swing, which he made quick use of…

And in the garage that was converted into a workshop, I found this:

A fully equipped darkroom! It was truly awesome – the owner of this house has everything you need to develop film. He also has studio space, which was more like storage space while I was there. Regardless, I took the opportunity to shoot some of the elements, including this:

The next time I complain about the cost of a lens, I’ll look at the pictures of this setup and realize just how expensive photography used to be monetarily as well as time-wise. It makes you think about how different the developing process is now for photos. Before, you would lock yourself away in a room for hours just dodging and burning away, completely in the creative zone – much like my walk in the fog, but with chemicals! I have a lot of respect for the dedication and work that went into this craft before this industrial age of digital.

In other news, I received my new lens and I can’t wait to try it out in a few professional scenarios – so far, it’s only been used to shoot my pets, which is never a bad thing really 😉

Shooting The Boss

No, not The Boss, although I’d be gushing about that non-stop for weeks if I could ;). I’m talking about the broker in charge of Carolina One Real Estate’s Main Street office, Christina Ellis. I call her the boss, because she’s my wife’s broker.

There’s just a little bit of stress when you get tasked to shoot a head shot for your wife’s boss. Not just the usual responsibility of making someone happy with the way they look (trust me, most people cringe at the thought of having their picture taken, so us photogs have to damn near have a psychology degree to convince people that you’ll make sure they look their best), but the responsibility of making your wife not look like a jerk for referring you if you botch the job!

Luckily, it would take a complete failure of epic proportions to botch a job like this – Christina needs no help from me to look good. She’s naturally photogenic, so the only thing I need to worry about is getting the light right. Here’s the diagram of the white background, which was a reversible collapsible background from Adorama. Note my method of lighting the background with bounce umbrellas and feathering the light from them to give me some rim lighting for the subject.

I had the softbox right up close to her. In fact, it was so close that I had my assistant, aka my wife Amy, hold the bottom lip of the box up so it wouldn’t get in the shot. For the black side, I had to ditch the umbrellas and use snoots to focus the light so it wouldn’t influence the blackness of the background. The snoots are actually just beer cozies with the bottoms cut off. It’s an ingenius idea I learned from wedding photographer David Ziser in one of his Kelby Training videos.

One of the problems that arose is something that I’ve been dealing with for quite a while now. My go-to medium zoom lens is a Tamron 17-50mm f/2.8. About 6 months or so ago it started to get stuck at 24mm when twisting the zoom ring. It’s very annoying, but I can just pull the lens from the front cap and it will move. I was ineligible for warranty coverage because I bought a display model, so it’s considered used. Another problem is that it’s not sealed well at all, so there is a ridiculous amount of dust inside the lens. It’s not noticeable at large apertures, but if I venture past f/11, it’s unusable. The worst problem of all though is the random focusing issues, which is what plagued me during this shoot. I can fire off a series of shots and some will be blurry for no good reason, other’s will back focus a few inches so that the ears are the only thing that’s sharp, and if I’m lucky, one will be just right. This is not just annoying, it’s a hazard! My favorite shot expression-wise from this job had to be ditched because the eyes were muddy, but the hair on the back of her head was tack sharp. I broke down and ordered a new lens as soon as I got home because of this. If I’m charging people their hard-earned money for a product, then it’s my responsibility to give them the best product I can make. I’ve been able to squeeze by with the shortcomings of the Tamron for a long time now, but this showed me once again that I can lose the best moment because of it, not because of my lack of ability. I’ll also steer clear of Tamron lenses from now on since their quality control is notoriously uneven and their warranty policy is proof of that. If I tried to sell this lens, I’d get next to nothing for it – it holds no resale value (especially since it’s technically broken). I have gotten by with it for a long time despite of it’s shortcomings, but I’ve known to shoot a lot of photos in case one is blurry or back-focused.

The last photo I shot of Christina was shot with a Nikon 50mm f/1.8 prime lens. I wanted a natural light, shallow DoF photo more for myself more than for the job, but to be honest, I bet she likes this one the best also. I just popped on the prime lens, opened it up as large as it will go and got in really close to her. Simple, quick, and an example of what a good lens is capable of – I only took two shots like this and that’s because the first one still had the white balance set to flash on the camera.

I’ll write up a post about my new lens when I finally get to do some work with it. I’m super excited because it’s a Nikkor lens, so I know it will rock!

Keeping Up With Morgan

One of the joys in participating in our Help-Portrait MUSC Kids group is learning about some of your subjects afterwards. Morgan Porter was the first girl we shot during our most recent event, and she’s been making the news due to her recent heart transplant. The courage and strength of Morgan & her family is unlike anything I could ever imagine. Please take 5 minutes to watch this video below.

You can also read and watch more about Morgan here.

I know I gush about the doctors and staff at MUSC Children’s hospital, but this is no miracle – it’s raw skill and talent that can pull this kind of operation off. The miracle to me is the will of such a small girl to fight against all of the odds.

Keep fighting Morgan, we’re all rooting for your success!

Getting Ready For Gabriel

In my exploration of different types of photography, one of my many goals was to try maternity photography. I was all set to shoot Crystal, who was also the subject of my first wedding shoot (I thought it would be fitting to shoot her again), but as I explained in this post, life took an unexpected turn and that opportunity passed. Back to the drawing board. I asked my wife if she knew anyone and she presented me with one of her clients, Tamara.

The challenge was to explore the different popular poses, lighting methods, and themes in maternity photography while looking to create something new. I started off by searching through popular photo sites like Flickr and 500px for the work of other photographers to see what they are doing. I also wanted to prepare Tamara for what I expected from her, so my wife and I picked our favorite photos and shared them with Tamara. I was hoping that by attempting the tried and true in maternity photography, but applying my style and lighting techniques, I’d get inspired to expand on what’s been done before and find something new. Get inspired, build on that inspiration, and then veer off into a new direction with what you’ve learned. That’s been a pretty good road map for me creatively.

This shot above has been done a million times before. The old “heart hands” as I like to call it. It’s cute, it’s got hands (which are always interesting photographically), and it’s got a touch of sentiment behind it. If you search the internet for maternity photos, you’ll find hundreds of the same type of photo. Still, I set up the shot and do it almost as if it’s an exercise. While I’ve got Tamara and her husband in front of my camera, I’m able to work with what I see, and because I’m liking the hands, I setup another tried & true photo of dad kissing mom’s belly. This time, I want to see their hands. This photo is all about the hands graphically.

Another shot I see usually taken from the mother’s perspective is the shot of the belly with their feet up against a wall and crossed. I decided to try a variation of that and had Tamara look back at me while lying on her back with her feet up and legs crossed. Since I was using a backdrop, I had no wall! This was a situation where help is 100% necessary and my wife Amy was playing the part of photo assistant. I had Amy hold up her legs and on the count of three she let go and I quickly snapped the photo. As you can expect, this position is anything but easy for a girl just weeks away from giving birth to pull off!

Building off that shot, I grabbed the blue bed sheet that we later used in the photo at the top of this post as well as baby blocks. This time I let her keep her feet down as the blocks were now a major element in the photo.

Since we had the blocks out and the mother on her back, I got her 1st born involved. He had just taken a bath and didn’t finish getting dressed yet, but I though it would be cool if he left the shirt off, just like mommy! We spelled out his new brother’s name and had him play with the blocks. His smile is genuine, because what kid doesn’t want to play with blocks?

I also have him pose with his brother in this shot as he listens for little Gabriel’s heartbeat. I love the contrast of his hand with his Tamara’s as well as the catchlight in his eyes.

Another shot I really love is the low-key rim-lit shot of a (seemingly) naked maternal figure. The photo up top is one example using two lights, and the one just below is shot using one light source to create a dramatic image with shadows. The beautiful curves of an expectant mother is one of the most stunning subjects one can photograph. I say seemingly because she’s got her bottoms on as well as being fully taped up on top. The illusion is always more interesting as it leaves more to the imagination! Sorry to spoil that for ya…

The rest of the shoot was done using natural lighting. I set up this scene in her front window with the theme of waiting. At this point in her pregnancy, it’s about all she can think about – the waiting.

The sun was getting low in the sky, so we took advantage of the golden hour and hurried outside for a family shot. As I was shooting the family together, we got one magical moment where the dogs stopped, looked at the camera, and posed. It was amazing!

Tamara was spent. She was such a trooper as we tried different poses, set-ups, and wardrobe changes. After hours of shooting, she was ready for one last setup – the bubble bath.

This leads me to what I think is my most successful shot of the day. This photo screams maternity. An exhausted mom relaxing in the tub, feet up, candles lit, and a grin on her face that glows with the anticipation of the chaos that will be upon her and her family in the coming weeks. Right at this moment she takes a minute to enjoy the best part about being a woman, the gift of life.

G. Love & Special Sauce

Last night I was faced with a terrible decision. It was the end of a long day spent working on a project and I was wiped out – I needed to relax for another long day working on the same project. I also knew that G. Love & Special Sauce were playing at the Music Farm in Charleston, SC just at the time I was finishing for the day. Well, you’re reading this now because I made the rock n’ roll choice to go down in flames. You only live once here on earth, best make the most of it.

Opening the show was the Alabama native Kristy Lee.

She dresses like 90’s era Ice Cube, talks like an old southern maid, and sings like it’s her last day on earth and she wants the world to remember exactly who she is. She was amazing – I couldn’t believe just how talented she was live. She got the place going better than most full bands could. She’s like a gospel singer who sings about whiskey instead of God. I loved it.

G. Love & Special Sauce hit the stage like freight train. Timo Shanko was on bass and the Houseman Jeffrey Clemens was on drums as the stripped down trio rocked the Holy City.

It quickly became apparent that God has returned to the earth and has taken the form of G. Love’s bass player. Timo was on fire. The guy is unbelievable.

On Stage right was the Houseman slapping the skins like it’s New Orleans in February and he’s got all the beads. The old school voodoo rhythm keeper kept the funkiness turned to 11.

If Timo’s the God, and Houseman’s the Devil, then G. Love’s the prophet telling us all how it is in the D-Cell slinging streets of Philadelphia. He’s not going back to Jersey ’cause he knows he’s fixin’ to die. He’s taking I76 and his baby’s got sauce, so you better holla.

The last time I saw G. Love, it was about 15 years ago at Tramps in NYC. I always remembered how this guy brought the ladies in – It was about a 10 to 1 ratio of girls to guys then, and they were all smokin’. 15 years later, and the man still has it. The crowd was a great example of Charleston’s reputation of being home to some of the world’s prettiest ladies.

Kristy Lee came back out to sing with the boys:

The band did not waver, and the crowd was bumpin’ and grinding all night long…

I took a lot of shots of the show, so make sure to browse through this set on Flickr. I had a fantastic time, but all things must come to an end, so I leave you with a crowd shot I took before I headed back home to my lady:

Miracles at MUSC

Aurora Kuck 1/8/2012

When you see a baby that’s just under 2 lbs and is alive, animated, & looking up at you with big beautiful eyes, you can’t help but be amazed at the wonders of life. The folks at MUSC Children’s Hospital are miracle workers for being able to do things like this every single day.

It was only a couple of weeks ago that I was talking to Aurora’s mother Crystal about shooting maternity pictures. She was worried that it was too soon and she wasn’t really showing much. Life happens in it’s funny ways and Aurora decided it was time to come out (way ahead of schedule). Lo and behold, I ended up shooting baby pictures!

Walking through the NICU is kind of intimidating – it’s looks like a scene from the X-FIles with all of these blue glowing pods and walls lined with medical equipment and monitors. I was expecting to see some alien being floating in a tube of liquid, but instead I saw little miracles of medical science as babies were being cared for with the greatest of expertise and love.

Crystal wanted to make sure we got a picture of Sarah, who’s one of many Sarah’s that have been attending to little Aurora. The new mom said that Sarah was her favorite nurse, but she never said which Sarah…

Welcome to the world little girl, you’ve got two loving parents and a big family just waiting to spoil you. What more could you ask for?

The Day The Internet Broke

This morning I opened up my laptop to my homepage. I have Reddit.com as my home page because I like to smile and “real news” is for the sheeple of the world. Why hear about last night’s debates when I can see cats with burrito hats? I opened up my browser and got this:

Uh oh, there must be a server issue. Let me check WordPress.org to see what’s going on in the blogosphere.

Hmmm, that’s strange. Maybe Firefox is broken. Let me head over to Mozilla.com to download an update.

What the hell? Is the internet broken? Screw it, I’ll just play a little Minecraft to pass the time…

Red background, white text – it must be CHinese hackers!! Let’s look up China on the old Wikipedia and see if there’s any helpful info…

Dammit, let me Google this. Google always has the answer.

What is going on?? What kind of world am I living in where information isn’t freely available? What can I do? Who can I call?

Without free information, how can we be truly free?

Sunrise With Snapseed

One of my favorite iPhone/iPad photo editing apps is now available on the Mac App Store, and it’s called Snapseed. It’s more than just an effects application, but it’s strength is that it’s a quick and fun way to add some textures and styles to your images. The people at Nik software are really setting the bar pretty high with their image editing effects, and this mobile app crossover is no exception.

I was up at an ungodly hour this morning (for a Sunday) and managed to catch the sunrise from my back porch. I decided to make lemonade out of the lemony situation and play around with the photo in Snapseed to see what I could make with it. The image above was made using their “Grunge” effects as a starting point. The following is the same photo was using Snapseed’s “Vintage” effects as the starting point:

It also has a mean black & white converter. This version of the image used the “Film” preset as a starting point as well as a green filter effect:

And for the purists out there, it also does some very subtle basic adjustments, such as saturation, cropping & straightening, sharpening, etc. The interface is very simplified compared to more professional editing software such as Adobe Lightroom, which to some might be a selling point. Here’s the same photo straight out of Lightroom as a reference point:

For $20, this application is a steal.

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