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Articles Tagged with: Shem Creek

2012 Worldwide Photowalk Decisions

Kayaks at Shem Creek

Paddleboardering Under The Bridge

This past weekend was the 5th annual Scott Kelby Worldwide Photowalk all around the globe. We had a couple of groups participating here in Charleston, and I opted to walk with the evening group in Mount Pleasant.

Above are my two favorite shots that I made from the walk. I got a bunch of stuff I thought turned out well for a photowalk, as these walks are more about hanging out with other photographers and helping each other out than making a world-class photograph. I had the pleasure of hanging out with my daughter Mackenzie who was shooting with my Nikon P7000:

Mackenzie scopes out the graffiti under the Shem Creek bridge

She also volunteered to take the group shot, but I wanted her to be in it, so I grabbed my tripod and set the timer on my D800 to take this shot of the walkers:

Backlit sunlight, shade, and incandescent lights? The D800 fared pretty well at dealing with this mixed bag of lighting in the shot!

So anyway, the worst part of these photowalks is deciding which photo to submit as your favorite shot that you took on the walk. I’m torn between the two shots at the top of the post. The kayak shot is definitely more striking and grabs you first, and it has some excellent lighting as it was taken just as the sun was setting. The paddleboat shot is a bit more dynamic in my opinion. The subject is just plain awesome, I love the kid looking up at her dad while he’s paddling. I love the sidelight of the bridge trestle and the pattern that it creates. I love that the subject is framed within it. Ugggh!

While the sunset itself wasn’t spectacular at all (no clouds = boring sunset), I did get a descent photo of it here:

But, I’m not gonna submit that one because it doesn’t speak to me the way the other two do. So which one do you prefer? The Kayaks or the Paddlboarder?

Evans Rehearsal Dinner

I had the pleasure of shooting a wonderful couple’s wedding rehearsal dinner at Waters Edge at Shem Creek in Mount Pleasant, SC this weekend.

Beau and Kathryn Evans are two beautiful people whose awesome mother, Donna Evans hired me to shoot this event for their family.

I wanted to share with you some of my favorite pics from the evening. We had a great location at a great time of day with perfect weather – You couldn’t ask for a better combination!

There was music, shagging, and shucking, oh my!

The more events I photograph, the more I realize how important it is to know your camera inside and out. I can’t tell you how often I double-check my camera and almost every time I do I find that a crucial setting has been changed, a button mashed, or dial spun that would have otherwise ruined or missed a moment. I don’t know how many times I would find myself chimping the LCD screen in the past – after a number of phantom setting changes, I do get real paranoid that I’m blowing the shots! The more I do this though, the less I need to check my screen because I accept that while I’m communicating with subjects, and squeezing through crowded bars, my camera is busy taking on a life of its own, so I check my settings before I press the shutter.

It’s also handy to keep a mental baseline of settings for each environment you shoot in. That way you can quickly reset the camera to that baseline and work up from there. I still find shooting people at sunset is the hardest time because the light changes so drastically with every passing second. Event photography is very fast-paced, so any method you employ that will gain you precious seconds looking through the viewfinder is the difference between getting a great moment or just missing it.

Walking The Shem Creek Bridge

1/30th of a sec | f/2.8 | 17mm | ISO 200

Last night I was driving through Mount Pleasant as I find myself doing on a pretty frequent basis, and the time was right, the location was right, and I was prepared. I approached Shem Creek just as the sun was bidding adieu to the coast of South Carolina and pulled into a parking lot. I slung my camera on my shoulder set to manual mode with a fixed ISO of 200 and started walking up the bridge. As I approached the middle, I quickly brought the camera up to my eye and checked the internal light meter. As I tend to do, I made it set to be ever so slightly under-exposed and started firing away. this is what I caught:

1/80th of a sec | f/5.6 | 55mm | ISO 200

I dug the foreground of the boardwalk, so now I wanted to isolate the mid-ground area a bit more. I took a few steps forward and zoomed in a little to get this:

1/100th of a sec | f/8.0 | 72mm | ISO 200

All the while I keep adjusting my exposure values – specifically the aperture and shutter speed. In the moments just after a sunset, every second that passes dramatically changes the light. Once again I took a few more steps forward and zoomed in a bit tighter to get this:

1/60th of a sec | f/7.1 | 100mm | ISO 200

I checked the back of my camera and knew I had the shot I wanted. Now It was time to explore. I kept walking and came up to a glorious blue building that rents kayaks and has a seafood market in the back. How blue is it?

1/20th of a sec | f/4.5 | 55mm | ISO 200

That’s pretty damn blue. I needed to capture the entrance to the building. When you get that kind of red against that kind of blue, you can’t go wrong.

1/20th of a sec | f/4.8 | 125mm | ISO 200

I really dug the convergence of lines from the wood siding and the angles of the metal roof. The light was really starting to fade, so I switched out to a faster lens and shot this:

1/13th of a sec | f/2.8 | 50mm | ISO 200

I decided to look down off the side of the bridge and lo and behold, there were a couple of pelicans perched a few feet below me. I braced the camera on the railing of the bridge and composed some shots of the big birds.

1/30th of a sec | f/2.8 | 50mm | ISO 200

When shooting in this low amount of light at pretty slow shutter speeds it’s quite difficult to capture these birds sharply. They never cease twitching their beaks and adjusting themselves when you are as close as I was. It’s best to set your shutter to burst mode and let it rip once you have your composition. You can shoot a dozen shots and possibly only get one that’s decently sharp if your lucky! You could always bring out a flash, but you’ll get one chance before you send that bird soaring to the other side of the creek.

1/5th of a sec | f/2.8 | 50mm | ISO 200

I was quickly losing light, I was shooting at speeds that require bracing the camera on something sturdy, and I was getting pretty damn cold (at least for just a sweatshirt – guess I wasn’t as prepared as I thought). I only had a couple of more shots left in me, so I started to get a busy composition of the waterside of the blue seafood/kayak building when one of the birds flew right into the composition and landed in the perfect spot to become the focal point of this shot:

1/5th of a sec | f/2.8 | 50mm | ISO 200

Talk about a lucky break! I started to walk back to my car and fired off the shot at the top of this post. The color in the sky was no longer as magnificent in this location (although as I drove home the colors in the sky were unusually deep – the horizon was almost brown for a few moments). I decided to create a split-tone image which basically worked out as such: I first converted the shot into a black and white image, and then I gave the highlights an orange tone and the shadows a blue tone. The result is what you see above. It can add a little more mood to a black and white image as well as make something starkly different. It definitely stands out amongst the rest of the images I shot last night.