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Articles Tagged with: live music

No Cameras Allowed? No Problem.

I love shooting live performances for my own personal enjoyment. I love music, and I love watching musicians perform. I also love photography. Why wouldn’t I want to marry the two passions? Years ago, people thought that taking professional photos at a concert was a bad thing because you might do something detrimental to the artist’s bottom line with them. I guess there was a market for nice photos of Jimmy Page on the black market. Who knows? But today you can watch a concert minutes after it happens on YouTube because everyone in attendance is Martin Scorsese with their cell phones.

There is so much punk rock in this photo it hurts... Oh, and your belt's upside down Mr. Pop. #riotfest #toronto #iggyandthestooges #iggypop #mikewatt #theminutemen #rawpower #punkrock #rocknroll #legends #music

Most venues won’t even bother mentioning anything about a shitty camera, but if you have a nice camera with you then you must be a bootlegging son-of-a-bitch and not someone who enjoys the art of photography. I don’t know, it all seems silly to carry old ways of thinking into modern times. You don’t like that people are holding their phones up to snap pictures at every event? Too bad – it’s what we do in 2013. In 2020 we’ll be shooting it with our Google Contact Lenses, so you won’t have to worry about people having to lift their hands in the air like they just don’t care. The world has changed and we’re all being photographed and videoed everywhere we go.

I’m not even trying to be rebellious or anything, I just find it strange that venues try to control the creation of well executed photography but have no problem with truly shitty cell phone pics. If the artist themselves wishes to not be photographed, then that’s a completely different story. People have the right to say no and we should respect that.

So, what’s my secret for bringing in a DSLR to just about any venue? I just walk in with it strapped on my shoulder and pay no attention to it. Most security guards don’t care, and more importantly most can’t tell the difference between a professional or consumer camera anyway. The most recent festival I went to, the security guard asked me what kind of camera I had and I told her it was a fixed lens still camera. She looked at me funny and said “OK, as long as it’s not one of those cameras you can change lenses on”. I just smiled and walked on by. I didn’t lie – it had a 50mm fixed lens on it – I just didn’t elaborate on it at all. It’s pretty easy if you don’t make a big deal about it. The worst that can happen is that they tell you that you can’t bring it in. I’m still waiting for the day when that happens!

Why not another @thereplacements photo? #paulwesterberg & #daveminehan #thereplacements #reunion #toronto #canada #riotfest #rocknroll #guitar #singing #music #live

Friday Night Lights

Just a quick share with you guys since it’s been a while. I was out at the Music Farm this evening to see my wife’s cousin, Jerry Jacobs play. He’s really matured with his musical style and it’s fantastic to see someone grow from a young kid starting out all the way into adulthood with a bunch of musical experience under his belt.

Afterwards, we stumbled upon some skaters in the bus depot and I held an impromptu photo session (as seen above).

I’ve been a busy bee lately and will fill you in on all of the goings on soon. In the meantime, make sure you’re following my Facebook page for the latest sneek peaks into what I’m working on!

Rock on for now, Wally Gator!

The Shaniqua Brown Final Show

The Shaniqua Brown

Last night, I went down to The Pour House in Charleston to catch some loud and sleazy rock n’ roll. It was the last show for the local rock band The Shaniqua Brown and they were pulling no punches. I’d never seen them before, and I’m sad to see them go, but I was happy to be there.

Lead singer Rachel Kate Gillon took the stage with a fury that made you feel like she was fighting for survival and if this was goodbye, she was taking the crowd with her.

CUSSES

This was the second time I shot CUSSES, the last time was at Kulture Klash 7. This three piece band sounds like a wall of crushing sound thanks to guitarist Bryan Harder’s recipe for making one guitar sound like four.

Hailing from Savannah, GA, they’re hot off the release of their debut record. Singer Angel Bond screams out with such power while slithering across the stage, she channels part Mick Jagger and part Iggy Pop in her movement, but she’s got a voice all her own. Let’s not forget that their drummer is a fucking madman, and that’s a good thing.

Bully Pulpit

Bully Pulpit is a fucking heavy blues band from Charleston. Reminiscent of the classic punk rock sound of the Dead Boys and the New York Dolls, I felt like I was back on Bleecker Street as they tore up the stage. I think it’s safe to say that these guys aren’t capable of doing anything quietly. They also have one of the coolest band names I’ve heard in a long time.

Heyrocco

Heyrocco is another local up & coming band. I shot them once before about a year ago at the Change For Change Art Show. In the time since I’ve seen them, they’ve really grown into their sound. I was very impressed to say the least.

They just successfully funded a kickstarter project to release their debut record, which is due to come out very soon. I’m looking forward to hearing what they come up with, because they have a really interesting sound live.

I also got to shoot alongside Tracy Grant, who was on the receiving end of my elbow when I got blindsided by a pit dancer. Pataford was also there taking shots, both from the crowd and with his camera!

I have a full set of photos on Flickr for you to check out. Have a great weekend!

G. Love & Special Sauce

Last night I was faced with a terrible decision. It was the end of a long day spent working on a project and I was wiped out – I needed to relax for another long day working on the same project. I also knew that G. Love & Special Sauce were playing at the Music Farm in Charleston, SC just at the time I was finishing for the day. Well, you’re reading this now because I made the rock n’ roll choice to go down in flames. You only live once here on earth, best make the most of it.

Opening the show was the Alabama native Kristy Lee.

She dresses like 90’s era Ice Cube, talks like an old southern maid, and sings like it’s her last day on earth and she wants the world to remember exactly who she is. She was amazing – I couldn’t believe just how talented she was live. She got the place going better than most full bands could. She’s like a gospel singer who sings about whiskey instead of God. I loved it.

G. Love & Special Sauce hit the stage like freight train. Timo Shanko was on bass and the Houseman Jeffrey Clemens was on drums as the stripped down trio rocked the Holy City.

It quickly became apparent that God has returned to the earth and has taken the form of G. Love’s bass player. Timo was on fire. The guy is unbelievable.

On Stage right was the Houseman slapping the skins like it’s New Orleans in February and he’s got all the beads. The old school voodoo rhythm keeper kept the funkiness turned to 11.

If Timo’s the God, and Houseman’s the Devil, then G. Love’s the prophet telling us all how it is in the D-Cell slinging streets of Philadelphia. He’s not going back to Jersey ’cause he knows he’s fixin’ to die. He’s taking I76 and his baby’s got sauce, so you better holla.

The last time I saw G. Love, it was about 15 years ago at Tramps in NYC. I always remembered how this guy brought the ladies in – It was about a 10 to 1 ratio of girls to guys then, and they were all smokin’. 15 years later, and the man still has it. The crowd was a great example of Charleston’s reputation of being home to some of the world’s prettiest ladies.

Kristy Lee came back out to sing with the boys:

The band did not waver, and the crowd was bumpin’ and grinding all night long…

I took a lot of shots of the show, so make sure to browse through this set on Flickr. I had a fantastic time, but all things must come to an end, so I leave you with a crowd shot I took before I headed back home to my lady:

It’s Not The Camera

It’s who you know. But that’s not just what I’m talking about. Good pictures don’t care about hardware, they care about the intention and execution of the person conceiving and/or capturing them. Sure a camera’s lack of abilities can hinder you from getting a shot you envision, but that doesn’t mean you can’t make a good shot with a poor camera! Once you realize this, it’s a matter of exploiting what the camera can do, and not wasting your time griping about what it can’t do.

The photo above was made at the Archers of Loaf concert in Brooklyn, NY this past Saturday. I made it on my iPhone using the app Camera+. I shot it, converted it to B&W, and immediately shared it on Facebook. The next day, a writer for L Magazine (who is an old friend) saw it and asked to use it for his review of the concert. So yes, it is mostly a case of who you know. I did offer up some technically better shots taken with a better camera, but he liked the iPhone one enough and it works in spite of the fact that it was made on a cell phone.

I’ll be sure to share more shots of the shows I attended this weekend that I made on my newest camera when I review it. I also have all of my vacation shots sorted out – just need to title and tag them, so that will be up this week also.

Change For Change Art Show Recap

Last night was the Change for Change Benefit Art Show at the Music Farm. It was the first show of this kind organized by Young & Free SC. The rock club was transformed into a DIY art gallery and was showing some of the Charleston area’s coolest underground art.

The art show focused on attracting the college-aged youth of Charleston and introducing them to what the local art scene is producing and offering a lot of it at affordable prices.

And the art wasn’t just on paper, it was in your ears and mouth as well. The Music farm exploded with the sounds of Heyrocco…

Next up, Meet The Sky took the stage:

I also had a blast hanging out with photographer buddies Robert Donovan and Jonathan Stout, who have proven to me that the best photographers have great senses of humor. Here’s a shot of BadJon Stout getting ready to devour some meat perfection from Hello My Name Is BBQ:

And Robert Donovan shows off his “Hey Ladies” pose for the camera here:

I’ll update this post with more info on how much $$$ was raised for Water Missions last night – It was for a really good cause and the organizers did a bang-up job on their first swing at this.

As usual, I took a bunch of photos which you can view in a set on my Flickr Stream.

Kulture Klash 7 Recap

How do they do it? The organizers of Kulture Klash, the low country’s festival of art, dance, & music have managed to top themselves again. For the 7th installment of bi-annual event, the stand-out attraction for me was the live wakeboard demonstration provided by Chuck and Chalice to coincide with the festival’s water theme.

OK, lets rewind a bit to yesterday afternoon, when the site of the festival was freely opened up to the public to view the art installations.

In addition to art for sale, the show featured artist interpretations of the quintessential Surf Shack:

This photo is all about BadJon, his framed art, and his giant Alien Bees ring flash:

Moving along outside, as the crew put the finishing touches on the wakeboard pools, the kids and dogs took advantage of the opportunity to get as dirty as possible!

What better way to cool off in the hot Charleston sun than with an all-natural snow cone from Rena Larch and her Happy Camper Snoballs?

Artist and the man behind (and in front of) the scenes at Kulture Klash, Scott Debus presented my kids with the coveted Blue Power Ranger, which also squeaks. I know this because I was woken up this morning to the sound of a squeaking Power Ranger!

The free art viewing was the perfect place to check out local art with your family. The kids were able to run around and be kids, people brought their pets, and the atmosphere was very relaxed. We also had a good vantage point to check out some of the Charleston Air Show, which local photo buddy Montwerx was covering from behind his lens.

Now it’s time for the party! I returned to the Klash a little after 8:00PM to an already packed house.

There was live music, dancing, and hula hoop girls all around! So began an adventure in low and no-light photography.

This works to my advantage, because the best way to tell the story of a party like this is to show the motion of it.

Also on hand was the newly founded Girls Rock Charleston, who performed an interpretive dance to live drumming:

The roar of the guitar and beat of the drums reigned in the alleyway next to Storehouse 10 as the band named Cusses took the stage.

As with past Kulture Klash Arts Festivals, there were live works of art being created during the course of the night, including a giant surfboard and this huge canvas:

Over in the next alley was the Urban Wakeboarding demo as well as another stage. The wakeboaders started out on one end of the alley on the back of a pickup truck. On the other end was a winch that pulled them across two pools joined by a rail jump in the middle.

Needless to say, nighttime action sports photography is not the easiest thing to do! That didn’t stop the throngs of cell phone videographers that lined the barrier broadcasting to their Facebook friends the watersports event of the evening. Sometimes I feel we’re all the stars of The Truman Show. So says the guy with the camera…

On stage was the dub sounds of Charleston’s Dubplates:

It was time for me to depart. The amazing thing was that at 11:00PM, a whole new crowd was coming in through the gate to experience a whole other set of performances. It’s an amazing festival that truly is whatever you make of it, and I couldn’t be more impressed by just how much awesomeness is packed into one evening. I’d love to see everybody’s photos and hear their stories about the evening, so please share!

As usual, you can check out the full extensive set of photos I took on my Flickr Stream.

Valero At The Oasis

After the rise of the super moon last night, I stopped over at the Oasis on Folly Road in James Island to catch a set from Clemson’s emo rock band Valero.

While I was somewhat prepared to shoot the moon over the ocean, I wasn’t prepared for a live band and I was really wishing I packed a f/1.8 prime lens with me because the lighting in the Oasis is just plain harsh. One side of the stage was red, the middle was green and blue, while the other side was barely lit at all.

I had my f/2.8 Tamron 17-50mm lens with me, so I set my auto ISO threshold to max out at 3200 (I usually have it limited to 1600) and varied between 100th and 125th of a second for my shutter speed, which was just enough to freeze the action. I did try to use my flash for some shots, but I wasn’t feeling it, and I didn’t want to annoy the band with a lot of flash activity. I tried to make the best of the lighting situation and get some low key shots such as these:

I also tried to play of the club’s Christmas themed stage colors which gave some interesting contrast to these shots:

Go ahead and check out Valero’s Bandcamp.com page to listen to their latest recordings, or check them out on their Facebook page. You can also check out the complete set of shots from Saturday’s show on my Flickr stream.