One of the most important things I’ve learned about photography is that the equipment is not ultimately important. The overall image is. I’ve hammered it in so many blog posts that I’m not even gonna bother linking to them here. Just choose any month from the right-hand list and you’ll find me ranting about some facet of photography that has nothing to do with lenses or light modifiers.

So, I’ve recently rekindled my love for drawing with graphite – Something I did back in high school but never really pursued again until now. The whole process has inadvertently turned into an advanced lesson in portraiture. I scour through Pinterest feeds looking for faces that move me, and before I know it, I’m studying. I’m learning about which photos appeal to me, but more importantly why they appeal to me. Expressions, quality of light, overall mood, etc.

Once I’ve settled on a portrait to sketch, I then get a chance to slow down and really tear the image apart so that I can put it back together again. Every facial feature, every shadow, and every highlight gets meticulously recreated.

I even started adding my own little adjustments, such as the tears in this sketch of Benedict Cumberbatch that I did for my daughter:

The real trick is in translating that inspiration and effort back into photography. I find that getting people to slow down with me is helping me get some deeper images of their faces. Here’s an photo I shot recently after a head shot session where I just asked Christina to relax a bit and look at the camera without any predisposition. Just take it easy and let the face tell the story without forcing it.

If you want to keep up with what I’m doing in my sketchbook, follow me on my Instagram feed