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Articles Tagged with: blue

Surreal Color Beach Portrait

I’ve been chasing down my muse lately in one way or another, from getting tattooed to collecting art prints and books, and basically scouring the web for inspiring images and creations (check out some of my findings on my pinterest feed). I don’t think we ever settle down as artists. Sure, we may hit peaks, and sure we hit rough spots where nobody connects with what we’re doing, but we always strive to keep growing either way. One of the worst things that can happen is that you get so bogged down with work that you forget to play. That can drain your soul quite quickly.

Don’t get me wrong, shooting anything is better than doing just about any other kind of work for me, but if I go too long capturing other people’s visions, dreams, and desires, I can start to feel the burn out demon creeping up on me. Every once in a while I need to reset my brain to fine tune that creative spark that got me into this mess in the first place. And with every step I climb up of this ladder, I get a better view of what I want to be doing with my photography and where I could take it.

That brings me to Ashley, who I met via an annual photography event here in Charleston put together by Modstudios. I was hesitant to participate for working reasons (and I did end up passing up a paying gig to do this on Saturday night), but I knew that it would be a no-pressure situation to try something a little different. And, by no pressure, I mean total timing pressure as I lost track of time with my wife at Holy City Tattooing Collective as she got this kick-ass Mehndi-style peacock tattoo by the awesome Margo. Time has a way of disappearing when watching a great artist work. As I rushed to Folly Beach afterwards, I ended up missing a shoot with another cool girl with tattoos (hopefully she understands, I’ll make it up to you Kelsie).

So, back to Ashley. This girl might have the brightest & bluest eyes in the world. Check this out, here’s Ashley with her natural hair color:

And then I pulled out the blue wig and flowers to match that awesome colorful dress:

She looked like she stepped out of a painting by Camilla d’Errico. Once the sun started to do it’s thing, we just made some magical images. A beautiful location, a beautiful model, and an onslaught of color to tie it all together. This is the direction my head is going right about now:

Look Up!

I was out taking real estate photos this morning when my wife Amy told me to look up in a tree at a cardinal. The colors were magnificent! A deep clear blue sky and a dead yellowish brown limb with a bright red little bird on it. I took the shot fast enough to capture it flying away, which is depicted here in this sequence:

I just love the negative space and simplicity. The real trick is what my wife told me – to look up! Always keep your eyes wandering around a scene because your next favorite shot might be in a direction you’re not currently facing.

Walking The Shem Creek Bridge

1/30th of a sec | f/2.8 | 17mm | ISO 200

Last night I was driving through Mount Pleasant as I find myself doing on a pretty frequent basis, and the time was right, the location was right, and I was prepared. I approached Shem Creek just as the sun was bidding adieu to the coast of South Carolina and pulled into a parking lot. I slung my camera on my shoulder set to manual mode with a fixed ISO of 200 and started walking up the bridge. As I approached the middle, I quickly brought the camera up to my eye and checked the internal light meter. As I tend to do, I made it set to be ever so slightly under-exposed and started firing away. this is what I caught:

1/80th of a sec | f/5.6 | 55mm | ISO 200

I dug the foreground of the boardwalk, so now I wanted to isolate the mid-ground area a bit more. I took a few steps forward and zoomed in a little to get this:

1/100th of a sec | f/8.0 | 72mm | ISO 200

All the while I keep adjusting my exposure values – specifically the aperture and shutter speed. In the moments just after a sunset, every second that passes dramatically changes the light. Once again I took a few more steps forward and zoomed in a bit tighter to get this:

1/60th of a sec | f/7.1 | 100mm | ISO 200

I checked the back of my camera and knew I had the shot I wanted. Now It was time to explore. I kept walking and came up to a glorious blue building that rents kayaks and has a seafood market in the back. How blue is it?

1/20th of a sec | f/4.5 | 55mm | ISO 200

That’s pretty damn blue. I needed to capture the entrance to the building. When you get that kind of red against that kind of blue, you can’t go wrong.

1/20th of a sec | f/4.8 | 125mm | ISO 200

I really dug the convergence of lines from the wood siding and the angles of the metal roof. The light was really starting to fade, so I switched out to a faster lens and shot this:

1/13th of a sec | f/2.8 | 50mm | ISO 200

I decided to look down off the side of the bridge and lo and behold, there were a couple of pelicans perched a few feet below me. I braced the camera on the railing of the bridge and composed some shots of the big birds.

1/30th of a sec | f/2.8 | 50mm | ISO 200

When shooting in this low amount of light at pretty slow shutter speeds it’s quite difficult to capture these birds sharply. They never cease twitching their beaks and adjusting themselves when you are as close as I was. It’s best to set your shutter to burst mode and let it rip once you have your composition. You can shoot a dozen shots and possibly only get one that’s decently sharp if your lucky! You could always bring out a flash, but you’ll get one chance before you send that bird soaring to the other side of the creek.

1/5th of a sec | f/2.8 | 50mm | ISO 200

I was quickly losing light, I was shooting at speeds that require bracing the camera on something sturdy, and I was getting pretty damn cold (at least for just a sweatshirt – guess I wasn’t as prepared as I thought). I only had a couple of more shots left in me, so I started to get a busy composition of the waterside of the blue seafood/kayak building when one of the birds flew right into the composition and landed in the perfect spot to become the focal point of this shot:

1/5th of a sec | f/2.8 | 50mm | ISO 200

Talk about a lucky break! I started to walk back to my car and fired off the shot at the top of this post. The color in the sky was no longer as magnificent in this location (although as I drove home the colors in the sky were unusually deep – the horizon was almost brown for a few moments). I decided to create a split-tone image which basically worked out as such: I first converted the shot into a black and white image, and then I gave the highlights an orange tone and the shadows a blue tone. The result is what you see above. It can add a little more mood to a black and white image as well as make something starkly different. It definitely stands out amongst the rest of the images I shot last night.