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Articles Tagged with: Alien Bees

Summer Time

It’s been a very busy year so far – July 4th seems to sneak up and remind me just how fast time slips by. I’ve been busy growing my other business while still working this one. In fact, I surprised my crew yesterday by dragging in a light and a backdrop to the office for some surprise headshots:

Rashaud

Ben

Speaking of headshots, I’ve been doing a lot lately for various professionals in the area. A few years ago, you could only thrive from doing headshots in a major market, but because of social media every professional needs one, not just actors and comedians.

Here’s a couple I did this past week:

Dr. Kelsey Harris

Dr. Molly Slade

I’ve also discovered that my Fuji X-T1 is quite the capable headshot camera. The two headshots of the guys in my crew were taken with the Fuji, while the two doctors were taken using my Nikon D800. While the flexibility gained by the controls, full frame sensor, and lens selection of the Nikon are paramount to shooting professionally, the Fuji’s results are almost indistinguishable when the output is simply an internet profile picture. The only drawback I found with my current lighting rig is that I need to close down the aperture on the Fuji a couple of stops because it shoots natively at ISO 200 and it’s a cropped sensor. That leads to more depth of field when shooting with strobe lights. For headshots like these, it’s not a problem though. For creative portraiture using these strobes it might be limiting, but I think a ND filter or two would help in that case. The look of a lens at it’s proper focal length that you get from a full frame sensor when compared to a cropped one can’t be beat, but like the US Soccer team’s performance in the World Cup game against Belgium, it comes really close by giving it its all – And that’s nothing to be ashamed of.

Sorry, I fell into a technical wormhole. Back to the photos…

Shepard Fairey Installation At The Sottile Theater

If you haven’t stopped by the Halsey Institute of Contemporary Art to see the exhibit of Shepard Fairey and Jasper Johns, you’ve got ’til July 12th to do so. The work is amazing and inspiring. Shepard Fairey has a few installations in the Charleston area, including the one above at the storefront of the Sottile Theater on King Street. There’s also a few murals that he’s put up, such as this one on one of the College of Charleston’s dormitories:

Selective Color Still Lives!

I do love some street art. In the right places, like the back alleys of the city where people store their trash, they bring color and joy. I find the story told by the street artists to be just as compelling as the story told by the architects on the main streets.

The Other Part Of King Street

On another note, every once in a while I get reminded of just how amazing the camera in my pocket (the iPhone) is. I snapped this little dragonfly while walking into a client’s office the other day:

Dragonfly Instagram

I also got to go to a wedding that I wasn’t working at for the first time in a looooong time. I still managed to take a few photos, but only because I wanted to, not because I had to!

Samantha & Jerry

I’ve been seeing as much music as possible and spending some great time with my daughter in the process. We had front row center seats to see the Head and the Heart and Valerie June recently:

The Head and the Heart

Valerie June

At the start of the summer I surprised my daughter during our “school’s out weekend trip to Disney World” with a visit to Universal Studios to see Huey Lewis & The News!

Huey Lewis & the News

Speaking of Disney World, I captured this family photo with a Rokinon fish-eye lens on my Fuji X-T1 while we rode Primeval Whirl in the Animal Kingdom:

The Nienstedt Family

And while we were walking through Epcot’s World Showcase, we ran into some old friends. It’s Paulie Latex and Jenny Jelly of Latex Generation fame! Paul used to sing and play guitar in my band and Jen was our merch girl. I wrote a song about them when we were teenagers about how they would never last. I then wrote a song a few years later about being astonished that they were still together. Now they’ve got 3 girls and have been together for somewhere near 20 years. Holy crap was I wrong!

Latex Generation Family Photo Disney World 2014

Photo by Mrs. Edel

Local artist Patch Whisky asked me to shoot some of his artwork to be reproduced as prints that he’s now selling on his website. It was a different animal to shoot his monsters, but they sat well for the shoot…

Patch Whisky

On the topic of artists, I sadly had to say goodbye to one of my favorite artists who gathered his family up and moved to the West Coast. Here I am getting one last tattoo from Rob Junod at Holy City Tattooing Collective:

Getting the Junod one last time (In Charleston) #holycitytattooingcollective #tattoo #IWantYourSkull #nipslip #organicsweater

Rob Junod & a Shirtless Me

Rob’s wife, Amanda Rose, is a talented hair & make-up artist. I worked with with her recently for Shelly Waters, who hired me to shoot the cover of her upcoming CD. I’m bummed that the Junods had to leave, but I’m happy to see where their journey takes them as they are both immensely talented.

Shelly Waters and Amanda Rose

And finally, since we’re on the topic of tattoos and art, my wife Amy paid a visit to Margo at Holy CIty Tattooing Collective just yesterday to start work on a new piece on her bicep. It’s just an outline in this picture and it already looks amazing!

Amy

I think that about wraps it up for this post. We’re planning a road trip later in the summer, so hopefully I’ll capture some fun photos of that adventure. It’s gonna be filled with plains, trains, and automobiles for sure!

Portrait Vs. Headshot

There’s a fine line between a portrait and a headshot. The main difference being that a headshot is a professional representation of the subject for the desired use of the photograph, while a portrait tells more of a story. It doesn’t have to be a complicated story either, just something that makes you wonder what’s going on. Dramatic lighting, coloring, and expressive poses can take the same subject wearing the same outfit with the same hair and make-up and transform the image completely.

The photo above is of Amanda Cruz, who came by to get this headshot made for her new real estate business:

These shots are only a few moments apart – The difference in her pose and expression coupled with a change in the lighting setup and you have a completely different product. Sometimes the difference can be subtle, so the best way to determine whether you’re making a headshot or portrait is in the story. Is the photo showing the subject being themselves? Is it displaying something in their character? Then it’s most likely a headshot. On the other hand, if the shot is implying an emotion, or leading you to imagine a scenario that is playing out for or in view of the subject, then you’re most likely looking at a portrait.

Michelle

I was approached by Dawn, who works with one of my clients, about her daughter Kayla who is showing an interest in photography. She wanted to see if Kayla could tag along for a photo shoot to see how things work beyond just clicking the shutter. I said that that would be cool, and it would be even cooler if we got Michelle (who also works for the same client) to be a model for us.

You can see why I chose Michelle, she’s pretty easy on the eyes as they say in the biz (or pretty much anywhere on the planet for that matter).As we were just going to be shooting different lighting scenarios, most of the shots we did were facial portraits.

We did some experimentation with gels and generally played around. She was a trooper!

And then I brought out one of the silly hats from the morning’s birthday party shoot 😉

She’d also make a pretty good country star with this look:

I also did some post processing in CameraBag 2. Nevercenter, the creaters of CameraBag, are running a sweepstakes with a pretty impressive prize, a brand new Canon 5D Mk III! You may recall that I’ve reviewed this software before. Here’s my entry into their sweepstakes:

So here’s a deal for you fine readers – the folks at Neversoft sent me some licenses for Camerabag 2 to give away to help promote the software and their sweepstakes! I’m going to give away 3 of them right here on this blog post. All you have to do is put a comment in this post (Make sure you use your real name and email address so I can send you the license key – don’t worry, your email will not be published anywhere). The first 3 comments get a copy of CameraBag 2 – That’s all there is to it!

Here’s another shot of Michelle using a similar filter as above:

One last shot of Michelle for you for now. I’ve got a bunch that I haven’t posted as well, but these are my favorites so far. I think she thought I was a bit insane when I asked here to do this last shot, but I absolutely love the look:

OK, so make with the comments people! I wanna give some stuff away 🙂

Cracking The Shell

Dr. Colleen Boylston’s husband tasked me with the job of creating a portrait of his wife for a new brochure for their medical practice, Sweetgrass Pediatrics. She was not happy about it at all! She’s not the type of person who likes attention (in fact, she’ll hate that I’m including her in this post). She doesn’t like having her picture taken, especially when I set up an on-location studio in one of their offices and all of her peers and employees are peeking in on the shoot. Can you imagine looking like that and not wanting to show it off?

Regardless, this is one of my favorite things about photographing real people. Sometimes it takes time, and it can take a lot of effort on the part of the subject and the photographer alike. When you can finally get them to open up in front of the camera, it’s such a rewarding feeling. I actually shot two little sessions with Dr. Boylston that morning. The first session was OK, but she was really not being herself – she wasn’t comfortable and I knew it. Thanks to one of her employees, Lakeia, who has done modeling before, she was able to get inspired:

I told her she couldn’t let her employees show her up! She was uncomfortable with posing techniques at first because she thought it was going to look too “Glamour Shot-like”. Once she saw Lakeia’s shots she got it! I was able to get her back in front of the camera with a new attitude and we got the shot up top. Now, if only I could have Lakeia hanging around at every photo shoot! Check out the set of photos from that shoot here.

Visualizing Rebecca

Rebecca is the latest friend to come to the home studio for a portrait session, and man is she amazing to photograph. It’s becoming quickly apparent that it’s impossible to get bored with portraiture when you have amazing people to work with who are creative and are game for anything. This time around, I had several shots pre-visualized before we began. The first one is this natural light portrait using windows as the light source. We took advantage of the fading afternoon light and went for a bedroom scene (in my dining room).

I put a bed sheet on an ottoman to act as a bed. The problem was that I forgot how tall Rebecca is, and any shot that showed her whole body on the ottoman looked quite strange. It made her look like she was in a toddler’s bed, which is less than sexy when you think about it. No problem, I just shot tighter on her and got an implied photo. Sexy’s back!

Next, I wanted to showcase her amazing long auburn hair. We broke out the industrial fan and had her whipping her head from front to back to get her hair to catch the wind like a sail.

My goal was to have her flip her head enough times until she passed out. Not really, but I’m sure it felt like that to her. This kind of shot is all about timing. Hit the shutter at the perfect time while the hair is spread out and her face doesn’t look like someone who’s moving up and down vigorously. That’s not an easy shot to get without a lot of attempts. Saying that she’s a trooper is an understatement.

This is my final pre-visualized shot. I wanted to get this angle showing the piano and guitar on one side of the wall and Rebecca on the other side. This is one shot – not a diptych. I was inspired to use some of my old records in it after a friend of mine from back in my punk rock musician days posted vintage photos of girls with records on his Facebook page. Thanks for the inspiration Frank!

Katie, who works with Rebecca and is also just plain awesome, was helping out with the shoot and got drafted into a similar shot. I’m blessed to know such beautiful people! This shot rocks almost as hard as Katie at an Avett Brothers show at the North Charleston Coliseum (I’m still indebted because she invited me into the box seats with her friends at that show).

The above shot was a suggestion of Rebecca’s, which was to shoot her on a magenta background to compliment a green dress she wanted to wear. With such big bright blue eyes and the rich colors of her dress, her hair, and the background (I used a speedlight with a magenta gel on it to get that), I wanted to get a big smiling portrait. Rebecca’s such a fun girl that it’s more than easy to get a natural reaction out of her.

This was the final frame of the shoot. I love to do a head shot like this at the end of a shoot because at that point the person has been coached so much that they just easily connect with the camera. They’re all warmed up and comfortable, and it’s also quite a slow-down from the rest of the shoot. I just use the modeling lights and a 50mm lens, and really tone it down. I can fire off multiple shots while talking and complimenting the subject on the work we just did, and it really makes for a beautiful expression.

As I do this more, I’m really seeing the importance of vision over technical ability. You need the technical ability for sure, but without the vision, making a good photo becomes a game of luck. Why take only chances? The photo at the top of this post is an example of free-styling it. It might be one of my favorite shots that I’ve made in a long time, but it really was a lucky shot that I got while we were working out some fashion poses. Her expression is amazing and it was a decisive moment that was lost in the very next frame of the same setup. The blowing hair shot though, which was heavily planned and worked on, was destined to succeed because I knew exactly what I wanted it to look like before I took the shot. Sure, luck is a great thing, but it’s not predictable. Hard work and visualization can be.

Kicking Ass With Krista

I met Krista soon after we moved to Charleston back in the mid oughts. She was working at the local gym as a personal trainer. She approached my wife and I and asked us if we want a free personal training session, to which we happily obliged. I can honestly say that in a fight, not only would she kick my ass, she’d run circles around me while doing it. But, beyond the fact that she’s built like a UFC fighter, she’s also a very beautiful woman.

I invited Krista over to the studio with the goal of demonstrating how dynamic she is. Together I think we swung for the fences and hit one out of the park. We started out doing some fashiony type poses.

Then she put on her workout clothes as I went for an edgier and athletic look to compliment her. She’s a pro at this, so all I really had to do was be there, but when working with any model it’s truly a partnership. You collaborate with the talent and they put their trust in you to capture them at the peak of their performance. In a situation like this where someone spends their life doing something and you’re in charge of conveying that to an audience, it’s important to understand how to use your craft to capture it effectively.

Even though she had a much busier task of watching five kids all by herself during the shoot, my wife Amy still was able to put her fingerprint on this shoot by suggesting that Krista bring her wedding dress. Only problem was, when Krista got married she was wearing the dress for two (she was pregnant, slowpoke). Ahh, the versatility of spring clamps to the rescue. Those things are only second to gaffers tape in importance in your photographer’s tool kit. With this look, I wanted drama, both in Krista’s look and with lighting.

Finally, we went total glam as I set up some speedlights behind her to get a ton of lens flare and backlighting. I totally think that experimenting and playing around after you get the shots you initially wanted to get leads to some of the best shots you’ll make. The model is loose, your photographer juices are flowing, and things just seem to click.

After that, I handed Krista the camera and asked her to make my new Facebook profile picture. She’s just getting into photography and has taken a few lessons, so I was more than happy to get her to turn the camera on me. I think she got it 😉

Haley (Part 1)

Over the weekend I setup the home studio and invited Haley over to be the first model in it. I’ve been exploring the different practices of people photography lately, and I have to say that this shoot was one of my favorites. It could just be the fact that Haley was an amazing model to work with, but I really had fun. She also had fun (it shows), and my ~~assistant~~ wife Amy had a lot of fun as well. In fact, Amy played a huge part in coming up with poses as well as keeping the energy up (we shot late into the evening). Here’s one of Amy’s pose ideas:

Haley is such a natural. Every shot felt like a keeper – in fact I haven’t even gone through all of them yet. I felt I needed to share these with you fine readers, hence the “Part 1” – there will be more of these soon!

So, here’s a behind-the-scenes shot of my home studio – You can see how I had the lights set up for this shoot. The giant softbox is an AB800 as the fill, the beauty dish is my 2nd AB800 as the main light, and there’s an SB-600 speedlight in the smaller softbox as a kicker in the back.

After getting some traditional poses, things started to loosen up and we got shots such as the guitar one up top. Each time she changed clothes, she brought a new energy. She also got to choose the music, which I provided via Pandora. I asked her who her favorite musical artists were and she was quick to respond with Florence + The Machine. If you’re looking for a good alt-rock Pandora channel, that one does the job!

I’ve also been reading and watching a lot of stuff from Peter Hurley about headshots lately since his guest blog post on Scott Kelby’s blog last week, and I find his style and approach really inspiring. I threw on my 50mm f/1.8 and since it was late and I couldn’t shoot with natural light, I used the modeling lights from the Alien Bees to get this:

I set the white balance to incandescent for that shot, but when I turned on the Nikon SB-600 in the kicker softbox, the flash color turned the background blue to get this effect:

In post, I decided to experiment a little on a couple of shots. Here’s a black & white:

And finally, here’s a composite I made with an image I shot at Tugaloo State Park last year. After combining the two, I used a cross-processing effect to get the color.

This was my first attempt a fashion style photography, and while I have a lot of learning ahead of me, I think Haley definitely made this look better than I expected!

More to come very soon…