Projects – Page 6 – JWNPhoto.com

Category: Projects

The Phillips Team

The term “re-shoot” can be a scary word when you’re dealing with real estate agents. There are so many different scenarios that play out in your mind as to why someone would want to do one. Also, when you are creating something for someone else, the fear of rejection is immense. Luckily, when Deborah called me from the Shirley Phillips Team to re-shoot their head shots, it was because they had expanded, and wanted a new team shot.

Shirley also had her head shot redone, mainly because she liked her new hairdo 😉 I really think she looks like Hollywood royalty here. What a beautiful woman!

And here’s the newest member of Shirley’s team, Edmund Greenberg. I told him to give me his best Brad Pitt face, and I think he did pretty good. Very cool, Ed, very cool.

I really enjoy shooting faces. People have countless expressions to capture and the challenge of making them look comfortable and convey a look, whether it’s confidence, sexiness, professionalism, happiness, etc, is really a tough yet fun nut to crack with the right client. Getting the right look takes time, and I’m learning that I have to educate my clients beforehand that a good head shot is not done with one quick click.

Of all of the technical stuff I’ve learned about photography, none of it compares to the actual art of connecting with a person on the human level. As much as we lust after the latest light modifier or craziest low-light defying DSLR or ridiculously fast and expensive glass, our gear is nothing without being out in front of our subjects and communicating with them. Making them happy is the ultimate goal here, not some technical feat with the camera. A technically perfect photo of nothing special is so much less valuable than a less-than-perfect shot of an amazing moment or expression. Besides, you need to ask yourself, “Why am I doing this in the first place?”

For me, It has become simply about making people happy. Making people see how I see them, and how I believe the world sees them. Some days it’s very difficult, but I truly try to find the best in someone and exploit that. We all have things about ourselves that we dislike, and often those little bugs in our appearance are what we focus on. Trying to make people look past those things and helping them see themselves the way the rest of the world sees them is important to me. It can be life changing for some, and each time that happens I feel the karma train pulling up to my station.

Summerville Relay For Life 2012

Last night I volunteered to shoot a “Summerville Superheroes” photo booth at the Summerville Relay for Life event at Summerville High School. For a $1 donation, you got one of these superhero trading cards to post on Facebook! If you were one of the subjects, please head over to this Facebook album to get your photo – Don’t forget to tag your friends as well as yourself in the photos and share our page. If you’re not the Facebooking type, you can also download your photo from here.

My family and I had a blast – A big shout-out to the Sweetgrass Pediatrics team for including us in this special event!

The Bantz Family

This morning I had the joy of spending an hour with the Bantz family. I met Don and Jana through my wife Amy a few years back. In fact, I just dug up this iPhone pic of them with their son Cameron at last year’s Brevival:

The game plan was to get a casual family photo in their backyard. Unfortunately, the spot where they wanted to shoot was riddled with dappled light and harsh shadows. We only a limited time with Cameron’s fiance to get the shot they were looking for, so I didn’t have time to set up the proper lighting to handle that kind of situation (it would take a lot of power to overpower the sunlight). We found a safer spot in the shade and got this:

I also went for a more extreme look and used that bright natural backlight to get some cool lens flare (I also love the dog in the background of this shot):

The other shot that they really wanted is the one at the top of the post. They wanted to recreate an older photo (which Don is holding in this one) of Don with the boys, who are now men! I also got them to shoot some indoor family shots while we were at it:

Introducing JOEGOESPro.com

About a week ago I started to write my business plan. I got stuck on my mission statement. I need a mission statement. It’s like proposing to marry someone – it seems so permanent. That’s when it occurred to me, if the entrepreneurial world has drastically changed so much, why do I need to do a traditional business plan?

On the way home from the grocery store a few days later an idea came to me. Why not create a new kind of business plan? Why not ask for involvement of my peers, while giving advice about what I already know from my other business? An interactive business plan that changes with the business! I thought of a domain name for my new idea – I hurried home and immediately looked up joegoespro.com to see if it was registered and oh, the photo gods were looking out for me that evening.

So, I kicked off the site this weekend with 3 articles covering the psychology of becoming a professional photographer in today’s climate. These articles are based on not only my experience as an entrepreneur, but from the teachings of current top creatives and business people, books I’ve read on the subject, and my own observations about what’s going on in the artistic community.

The first article talks about branding yourself, the importance of taking care of your health, and defining your style in all aspects of your life. The second article tackles the fear of success and how to identify and work around it. Finally, the third article is about finding your place in the saturated world of photography.

To help kick off this venture, I’m giving away a copy of one of my favorite photographer’s latest books. It’s “Photographically Speaking: A Deeper Look at Creating Stronger Images” by David duChemin. All you have to do is go over to JOEGOESPro.com and comment on one of the first 3 articles linked above. Say something encouraging, something insightful, or just say hi. Make sure to use a real email address when you comment so I can contact you! I’ll pick a winner in two weeks to a random commenter. The only other rule is that you have to live in the United States (sorry, but I don’t know enough about international contest laws).

Cracking The Shell

Dr. Colleen Boylston’s husband tasked me with the job of creating a portrait of his wife for a new brochure for their medical practice, Sweetgrass Pediatrics. She was not happy about it at all! She’s not the type of person who likes attention (in fact, she’ll hate that I’m including her in this post). She doesn’t like having her picture taken, especially when I set up an on-location studio in one of their offices and all of her peers and employees are peeking in on the shoot. Can you imagine looking like that and not wanting to show it off?

Regardless, this is one of my favorite things about photographing real people. Sometimes it takes time, and it can take a lot of effort on the part of the subject and the photographer alike. When you can finally get them to open up in front of the camera, it’s such a rewarding feeling. I actually shot two little sessions with Dr. Boylston that morning. The first session was OK, but she was really not being herself – she wasn’t comfortable and I knew it. Thanks to one of her employees, Lakeia, who has done modeling before, she was able to get inspired:

I told her she couldn’t let her employees show her up! She was uncomfortable with posing techniques at first because she thought it was going to look too “Glamour Shot-like”. Once she saw Lakeia’s shots she got it! I was able to get her back in front of the camera with a new attitude and we got the shot up top. Now, if only I could have Lakeia hanging around at every photo shoot! Check out the set of photos from that shoot here.

OPK Are Much Easier

If you read Sunday’s post about my kids’ gift to their mother for our wedding anniversary, you heard me gripe about how difficult shooting your own kids can be. While we were shooting, some of the neighborhood kids came over to play with my son (our house is the place where the neighborhood kids like to congregate – I blame the cute dogs). Bryce & Olivia took an interest in the photo gear that I was breaking down and asked what we were doing, so I showed them the finished photos of my kids. They thought it was really cool, so I asked them when their mother’s birthday was, to which they replied next week. I asked them if they wanted to make a photo collage for their mom for her birthday, and they were ecstatic over the idea! I told them to dress up nice and come back the next day and I’d take their pictures.

They were so easy and cooperative! Every direction I gave was taken without complaint. OPK (Other People’s Kids) are a joy to shoot. They even convinced my son to get into a shot with them, although he was wearing a T-Shirt and his hair was a mess – it’s still a cute shot of some awesome friends.

Now hopefully their mom doesn’t read this blog, or else her birthday surprise is ruined! Although I’m sure she got a clue when here kids asked to get all dressed up to go over to the photographer’s house down the block…

Lucky 13

Yesterday was not only a day for dying the river green in Savannah, it was also my 13th wedding anniversary. My wife Amy had to work during the afternoon (the weekends are prime time for real estate agents), so I took advantage of the time to put together this collage for her with our kids. I initially wanted to do a triptych featuring two portraits of my children and this shot that I thought up of:

The problem was that I couldn’t find a picture frame that was oriented correctly, so I went for a four photo shoot and added another shot of the kids together, which was the most difficult to shoot. Your own kids are the most challenging subjects for portraiture and I think I figured out the reason – they lose patience quicker than a kid that doesn’t know you! They know what the limits are already, and aren’t timid to straddle that line. You really get a couple of frames to get it right and then they bolt. And the chances of getting them both looking decent at the same time are like winning a triple crown – it doesn’t happen often. I begged, pleaded, and came very close to losing my cool to get them to get it right. Don’t let them forget that you already bribed them with milkshakes to do this in the first place! Note to self: Milkshakes should come after the shoot, not before.

Here’s a shot of the finished product:

The shot at the top of this article was used in my Facebook post to my wife celebrating the best part of our marriage, which is our beautiful kids. Ahh, the power of still photography – if it was a video you would have seen what goes on between the shutter clicks, like “Look it’s a bee – AHHHHHH – RUN!!!” or “He’s touching me” or “Hurry up dad, I wanna play Zelda”. Photos are so much more romantic 😉

Haley (Part II)

Welcome to my second post of photos of Haley from her photo shoot. This time, it’s all about composites. This first one uses this picture of a road on a foggy morning in Landrum, SC.

The rest of these are a combination of multiple images found on Flickr as free backgrounds and textures, such as these from Flickr user Moosebite. There are a plethora of different types of images that are offered completely free for this purpose.

As for the art of making a composite, I used Photoshop and experimented with different blending modes, opacities, and manipulation of the images through Free Transform. I also used a combination of Snapseed and Color Efex Pro from Nik Software to finish these off.

The challenge for me is not to overdo it, as I did in this photo. It looks like the 80’s threw up on the 90’s and had a bastard child of a background, and poor Haley is stuck looking pretty in the midst of it all. But, it’s about experimenting for me, and I think the photos above work for their intended purposes.

In other news, I’ve got an exciting week ahead of me as I will be shooting some stuff at Charleston Fashion Week. It will be my first time shooting a runway show, so I’m pretty stoked! TTYL.

Visualizing Rebecca

Rebecca is the latest friend to come to the home studio for a portrait session, and man is she amazing to photograph. It’s becoming quickly apparent that it’s impossible to get bored with portraiture when you have amazing people to work with who are creative and are game for anything. This time around, I had several shots pre-visualized before we began. The first one is this natural light portrait using windows as the light source. We took advantage of the fading afternoon light and went for a bedroom scene (in my dining room).

I put a bed sheet on an ottoman to act as a bed. The problem was that I forgot how tall Rebecca is, and any shot that showed her whole body on the ottoman looked quite strange. It made her look like she was in a toddler’s bed, which is less than sexy when you think about it. No problem, I just shot tighter on her and got an implied photo. Sexy’s back!

Next, I wanted to showcase her amazing long auburn hair. We broke out the industrial fan and had her whipping her head from front to back to get her hair to catch the wind like a sail.

My goal was to have her flip her head enough times until she passed out. Not really, but I’m sure it felt like that to her. This kind of shot is all about timing. Hit the shutter at the perfect time while the hair is spread out and her face doesn’t look like someone who’s moving up and down vigorously. That’s not an easy shot to get without a lot of attempts. Saying that she’s a trooper is an understatement.

This is my final pre-visualized shot. I wanted to get this angle showing the piano and guitar on one side of the wall and Rebecca on the other side. This is one shot – not a diptych. I was inspired to use some of my old records in it after a friend of mine from back in my punk rock musician days posted vintage photos of girls with records on his Facebook page. Thanks for the inspiration Frank!

Katie, who works with Rebecca and is also just plain awesome, was helping out with the shoot and got drafted into a similar shot. I’m blessed to know such beautiful people! This shot rocks almost as hard as Katie at an Avett Brothers show at the North Charleston Coliseum (I’m still indebted because she invited me into the box seats with her friends at that show).

The above shot was a suggestion of Rebecca’s, which was to shoot her on a magenta background to compliment a green dress she wanted to wear. With such big bright blue eyes and the rich colors of her dress, her hair, and the background (I used a speedlight with a magenta gel on it to get that), I wanted to get a big smiling portrait. Rebecca’s such a fun girl that it’s more than easy to get a natural reaction out of her.

This was the final frame of the shoot. I love to do a head shot like this at the end of a shoot because at that point the person has been coached so much that they just easily connect with the camera. They’re all warmed up and comfortable, and it’s also quite a slow-down from the rest of the shoot. I just use the modeling lights and a 50mm lens, and really tone it down. I can fire off multiple shots while talking and complimenting the subject on the work we just did, and it really makes for a beautiful expression.

As I do this more, I’m really seeing the importance of vision over technical ability. You need the technical ability for sure, but without the vision, making a good photo becomes a game of luck. Why take only chances? The photo at the top of this post is an example of free-styling it. It might be one of my favorite shots that I’ve made in a long time, but it really was a lucky shot that I got while we were working out some fashion poses. Her expression is amazing and it was a decisive moment that was lost in the very next frame of the same setup. The blowing hair shot though, which was heavily planned and worked on, was destined to succeed because I knew exactly what I wanted it to look like before I took the shot. Sure, luck is a great thing, but it’s not predictable. Hard work and visualization can be.

Kicking Ass With Krista

I met Krista soon after we moved to Charleston back in the mid oughts. She was working at the local gym as a personal trainer. She approached my wife and I and asked us if we want a free personal training session, to which we happily obliged. I can honestly say that in a fight, not only would she kick my ass, she’d run circles around me while doing it. But, beyond the fact that she’s built like a UFC fighter, she’s also a very beautiful woman.

I invited Krista over to the studio with the goal of demonstrating how dynamic she is. Together I think we swung for the fences and hit one out of the park. We started out doing some fashiony type poses.

Then she put on her workout clothes as I went for an edgier and athletic look to compliment her. She’s a pro at this, so all I really had to do was be there, but when working with any model it’s truly a partnership. You collaborate with the talent and they put their trust in you to capture them at the peak of their performance. In a situation like this where someone spends their life doing something and you’re in charge of conveying that to an audience, it’s important to understand how to use your craft to capture it effectively.

Even though she had a much busier task of watching five kids all by herself during the shoot, my wife Amy still was able to put her fingerprint on this shoot by suggesting that Krista bring her wedding dress. Only problem was, when Krista got married she was wearing the dress for two (she was pregnant, slowpoke). Ahh, the versatility of spring clamps to the rescue. Those things are only second to gaffers tape in importance in your photographer’s tool kit. With this look, I wanted drama, both in Krista’s look and with lighting.

Finally, we went total glam as I set up some speedlights behind her to get a ton of lens flare and backlighting. I totally think that experimenting and playing around after you get the shots you initially wanted to get leads to some of the best shots you’ll make. The model is loose, your photographer juices are flowing, and things just seem to click.

After that, I handed Krista the camera and asked her to make my new Facebook profile picture. She’s just getting into photography and has taken a few lessons, so I was more than happy to get her to turn the camera on me. I think she got it 😉

« First ‹ Prev 3 4 567 8 9 Next ›Last »